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Bijoux de Famille. Galerie Chantal Crousel, 2009.

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The Devil on the Stairs: Looking Back on the Eighties. Exh. cat. Newport Beach, California: Newport Harbor Art Museum, 1991.

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40 ans: Galerie Daniel Templon. Paris: Communic’art, 2006.

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Fourteenth World Wide Video Festival, 1996. Exh. cat. The Hague: Stichting World Wide Video Centre, 1996.

The 43rd Biennale of Venice, Aperto ’88. Exh. cat. Milan: Fabbri Editori, 1988.

Friedrich Christian Flick Collection im Hamburger Bahnhof. Exh. cat. Berlin, Germany: Hamburger Bahnhof–Museum für Gegenwart, Verlag SMB–Dumont, 2004.

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Heinz and Marianna Ebers Foundation. Exh. cat. Ed. Martin Hentschel. Bielefeld, Germany: Kerber, 2011.

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Jackson Pollock: und die Malerei nach der Organisation der Malerei. By Udo Kittelmann. Baden-Baden, Germany: Sammlung Frieder Burda and StaatlicheKunsthalle Baden-Baden.

Jahresgaben 04/05 Kunstverein Braunschweig. Exh. and Sale cat. Braunschweig, Germany: Kunstverein Braunschweig, 2004.

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Kunst Aus Los Angeles der 60er bis 90er Jahre. Exh. Cat. Braunschweig, Germany: Kunstverein Braunschweig, 2007.

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KunstlerInnen: 50 Gesprache. Exh. cat. Vienna: Kunsthaus Bregenz, 1997.

Kustom Kulture. Exh. cat. Laguna Beach, California: Laguna Art Museum, 1993.

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LAX. Exh. cat. Vienna: Galerie Krinzinger, 1992.

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Lieux communs, figures singulieres. Exh. cat. Paris: Musée d’art moderne de la ville de Paris, 1991.

Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Ed. Elizabeth A.T. Smith. Chicago: Museum of Contemporary Art, Chicago, 2002.

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L’Immagine Riflessa. Exh. cat. Switzerland: Centro per l’Arte Contemporanea Luigi Pecci, 1995.

Lost and Found in California: Four Decades of Assemblage Art. The Second Generation: The Narrative 1957-1987. Exh. cat. Santa Monica, California: James Corcoran Gallery and The Pence Gallery, 1988.

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Love Hotel. Exh. brochure. Canberra: National Gallery Of Australia, 1997.

MACBA Collection 1: Itinerary. Ex. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002.

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Mike Kelley & Peter Fischli and David Weiss. Ed. Rainald Schumacher. Exh. cat. Munich: Ingvild Goetz, 2000.

Milk and Melancholy. Kenneth Hayes. Toronto: Prefix Museum of Contemporary Art, 2008.

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Modern and Contemporary Master Drawings. Exh. cat. London: Connaught Brown, 2006.

Modern Contemporary: Art at MOMA Since 1980. Exh. cat. Eds. Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. New York: Museum of Modern Art, 2000. In conjunction with the exhibition Open Ends.

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New Glass Review 29. New York: Corning Museum of Glass, 2008.

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1985 Biennial Exhibition. Exh. cat. Ed. Richard Armstrong, et al. New York: Whitney Museum of American Art, 1985.

1987 Phoenix Biennial. Exh. booklet. Ed. Bruce D. Kurtz. Arizona: Phoenix Art Museum, 1987.

1989 Biennial Exhibition. Exh. cat. Ed. Richard Armstrong, et al. New York: Whitney Museum of American Art, 1989.

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1993 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1993.

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Not Afraid: Rubell Family Collection. New York: Phaidon, 2004.136, 137, 139.

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Not to Play with Dead Things. Eric Mangion. Exh. cat. JRP Ringier: 2008. In French, Presses du Réel: 2008.

The Object Sculpture. Exh. Cat. Leeds: Henry Moore Institute, 2002.

Oh Boy, It’s a Girl: Feminismen in der Kunst. Exh. cat. Munich, Germany: Kunstverein, 1994.

Oh! Cet Echo! Exh. cat. Paris: Centre Culturel Suisse, 1993.

On Beauty. Exh. cat. Moscow: Regina Gallery, 1995.

Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Los Angeles: Museum of Contemporary Art, 1997.

Out of Actions: Actionism, Body Art and Performance 1949-1979. Exh. cat. Vienna: MAK-Austrian Center for the Applied Arts, Cantz Verlag, Ostfildern; Los Angeles: The Museum of Contemporary Art, 1998.

Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Japanese edition. Tokyo: The Museum of Contemporary Art, 1999.

Painting at the Edge of the World. Exh. cat. Minneapolis: Walker Art Center, 2001.

Panic Attack: Art in the Punk Years. Exh. Cat. Eds. Mark Sladen and Ariella Yedgar. London: Barbican Art Gallery, 2007.

Parkett: Collaborations & Editions since 1984. Exh. cat. Zurich: Parkett Publishers, 2001.

Passioniert Provokativ Die Sammlung Stoffel. Exh. cat. Ostfildern: Hatje Cantz, 2008.

Pierwszy Krok (First Step…Towards a Collection of Western Contemporary Art. Exh. cat. Eds. Kay Heimer and Hanne Tonger-Erk. Essen: Niessen GmbH, 2008. Translation in English.

Planet B: The Aesthetics of B-Movies in Contemporary Visual Arts. Exh. cat. Eds. Wolfgang Fetz, Boris Kremer, and Judith Reichart. Bregenz: Palais Thurn & Taxis and Magazin4 Bregenzer Kunstverein, 2004.

Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. Exh. Booklet. New York: Whitney Museum of American Art Independent Study Program, 2001.

Playtime: Artists and Toys. Exh. cat. Stamford, Connecticut: Whitney Museum of American Art at Champion, 1995.

Poetic Resemblance. Exh. cat. Ed. Barbara Broughel. Buffalo, New York: Hallwalls, 1986.

Post Human. Exh. cat. Ed. Jeffrey Deitch. Lausanne, Switzerland: Musée d’art contemporain, 1992.

Portikus Frankfurt am Main 1987-1997. Ed. Brigitte Kolle. Frankfurt: Portikus, 1997.

Power to the Imagination: Artists, Posters and Politics. Ed. Jürgen Döring. Munich: Hirmer Verlag, 2011.

Presenting Rearwards. Exh. cat. Ed. Ralph Rugoff. Los Angeles: Rosamund Felsen Gallery, 1991.

Presumed Innocence. Exh. cat. Ed. Jean Crutchfield. Virginia: Anderson Gallery School of Fine Arts, 1997.

Private View: 1980-2000: Collection Pierre Huber. Exh. Cat. Ed. Yves Aupetitallot. Lausanne: Musée cantonal des Beaus-Arts de Lausanne, 2005.

Prospect 89: Eine Internationale Ausstellung aktueller Kunst. Exh. cat. Frankfurt: Kunstverein, 1989.

Punk Picasso. By Larry Clark. New York: Roth Horowitz, PPP Editions and AKA Editions, 2004. Interview with Larry Clark.

The Puppet Show. Exh. cat. Text by Ingrid Schaffner, Carin Kuoni, Michael Taylor, et al. Ed. Ingrid Schaffner and Carin Kuoni. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008.

Qui a peur des artistes? Exh. cat. Ed. Caroline Bourgeois. Paris: Palais des Arts et du Festival of Dinard, 2009.

Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Exh. cat. Chicago: Museum of Contemporary Art, 1994.

The Return of The Cadavre Exquis. Exh. cat. Ed. Jane Philbrick. New York: The Drawing Center, 1993.

Re: Framing Cartoons. Exh. booklet. Columbus, Ohio: Wexner Center for the Arts, 1992.

Re: Framing Cartoons. Exh. cat. New York: Loughelton Gallery, 1990.

Regift. Exh booklet. Ed. Gianni Jetzer. New York: Swiss Institute Contemporary Arts, 2009.

Retorn al País del les Meravelles: L’ art contemporani i la infància. Exh. cat. Barcelona: Fundació “la Caixa”, 2001.

Robert Gober, On Kawara, Mike Kelley, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Cindy Sherman,Thomas Struth, Philip Taaffe, Christopher Wool. Exh. cat. Eds. Jean-Christoph Amman and Jerry Saltz. Cologne: Galerie Max Hetzler, 1992.

Rock – Paper – Scissors: Pop Music as Subject of Visual Art. Exh. cat. Christian Höller, et al. Graz: Kunsthaus Graz am Landemuseum Joanneum, 2009.

Rooseum 1988-1998. Eds. Jaana Jarretorp and Ulrike Leven. Malmö, Sweden: Rooseum Center for Contemporary Art, 1998.

Scene of the Crime. Exh. cat. Eds. Anthony Vidler and Peter Wallen. Los Angeles: UCLA at The Armand Hammer Museum of Art and Cultural Center, 1997.

The Shanghai Papers. Eds. Annette W. Balkema, Li Nang, and Xiang Liping. Osfildern: Hate Cantz, 2008.

Signal Approach. Exh. booklet. Toronto: The Funnel, 1984.

Signos y Milagros. Exh. cat. Ed. Bice Curiger. Galego, Spain: Centro Galego de Arte Contemporanea, 1995.

Silent and Violent: Selected Artists’ Editions. Exh. cat. Ed. Peter Noever. Zurich, Frankfurt, New York: Parkett Publishers; Vienna: MAK-Austrian Center for the Applied Arts, 1995. Published on the occasion of the exhibition at the MAK Center for Art and Architecture, Los Angeles.

Slightly Unbalanced. Exh. cat. Ed. Stephen Robert Frankel. Essays by Susan Hapgood and Susan M. Andersen. New York: iCI, 2008.

Someone Else with My Fingerprints. Exh. cat. Ed. Wilhelm Schurman. Cologne: Salon Verlag, 1997.

Sonic Process: Une nouvelle géographie des sons. Exh. cat. Paris: Centre Georges Pompidou Editions, 2002.

Sonic Process: A New Geography of Sounds. Exh. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002.

Sonsbeek 93. Exh. cat. Eds. Jan Brand, Catelejne de Muynck, and Valerie Smith. Arnhem, The Netherlands: International Art Exhibition Sonsbeek, 1993.

Sound. Exh. cat. Los Angeles: Los Angeles Institute for Contemporary Art; Long Island City, New York: P.S. 1 Contemporary Art Center, Institute for Art and Urban Resources, 1979.

Sound Art: Beyond Music, Between Categories. Alan Licht. New York: Rizzoli International Publications, 2007.

The Spectacular Vernacular. Texts by Darsie Alexander, Andy Sturdevant, and John Brinckerhoff Jackson. New York: Distributed Art Publishers, 2001.

Spectrum: Natural Settings. Exh. booklet. Washington, D.C.: The Corcoran Gallery of Art, 1986.

Spirit of Our Time. Exh. cat. Santa Barbara, California: Contemporary Arts Forum, 1990.

Stained Sheets / Holy Shroud. Exh. cat. Santa Monica, California: Krygier / Landau Contemporary Art, 1990.

Sunshine & Noir. Exh. cat. Humlebaek, Denmark: Lousiana Museum of Modern Art, 1997.

Sympathy for the Devil: Art and Rock and Roll Since 1967. Exh. cat. New Haven: Yale University Press, 2007.

Taschen Collection. Exh. cat. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia, 2004.

Telle est la Télé: L’art contemporain et la television. By Benjamin Thorel. Paris: Imaginaire: Mode D’Emploi/Editions Cercle d’Art, Salon du livre, 2007

A Theater Without Theater. Exh. cat. Ed. Clara Plasencia. Barcelona: Museu d’Art Contemporani de Barcelona, 2007. Translated in Spanish and Catalan.

Thinking Print: Books To Billboards, 1980-95. Exh. cat. New York: Museum of Modern Art, 1996.

This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Ed. Elizabeth Hamilton. Essays by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

Toyama Now ’87. Exh. cat. Toyoma, Japan: Museum of Modern Art, 1987.

Transformers: The Art of Multiphrenia. Exh. cat. Ed. Ralph Rugoff. New York: Independent Curators Incorporated; Annandale-on-Hudson, New York: Center for Cultural Studies, Bard College, 1995.

Translation. Exh. Cat. Paris: Palais de Tokyo in conjucnction with The Deste Foundation Center for Contemporary Art, Athens, 2006.

“Un Certain Etat du Monde? (A Certain State of the World?): A Selection of Works from the Francois Pinault Foundation. Exh. cat. Ed. Francesco Baragiola. London: Thames and Hudson, 2009.

The Unhomely: Phantom Scenes in Global Society. Exh. cat. Ed. Okwui Enwezor. Seville, Spain: 2nd International Biennial of Contemporary Art of Seville, 2006.

Uniform Order and Disorder. Exh. cat. Eds. Francesco Bonami, Maria Luisa Frisa, and Stephano Tonchi. Milan: Edizioni Charta, 2000.

Uber Leben. Exh. cat. Ed. Annie Pohlen. Bonn, Germany: Kunstverein, 1994.

The Use of Pleasure. Exh. cat. San Francisco: Terrain Gallery, 1994.

Veronica’s Revenge: Contemporary Perspectives on Photography. Ed. Elizabeth Janus. New York: Scalo Editions,1998.

Video Acts: Single Channel Works from the Collection of Pamela and Richard Kramlich and New Art Trust. Exh. cat. Eds. Klaus Biesenbach, Anthony Huberman, and Amy Smith. Long Island City, New York: P.S.1 Contemporary Art Center, 2002.

“The Lannan Collection.” Museum Studies (Art Institute of Chicago) 25.1 (2000).

Warped Space. Anthony Vidler. Cambridge: MIT Press, 2000.

What is Contemporary Art? Exh. cat. Ed. Dan Cameron, et al. Malmö, Sweden: Rooseum Center for Contemporary Art, 1989.

Where Are We Going?: Selections from the François Pinault collection, Exh. cat. Ed. Alison M. Gingeras and Jack Bankowsky. Milan: Skira, 2006. Translations in Italian, French and German.

White: Whiteness and Race in Contemporary Art (Issues in Cultural Theory 7). Exh. cat. Ed. Maurice Berger. Baltimore: Center for Art and Visual Culture, University of Maryland, 2004.

Whitney Biennial 2002. Exh. cat. New York: Whitney Museum of American Art, 2002.

Whitney Museum of American Art at Altria: 25 Years. Ed. Eth Huseman. New Haven: Yale University Press, 2008.

Who Am I? What Am I? Where Am I? Aura Rosenberg. Ostfildern: Hatje Cantz, 2008.

Without Boundary. Exh. cat. New York: Museum of Modern Art, 2006.

Word as Image: American Art 1960-1990. Exh. cat. Wisconsin: Milwaukee Art Museum, 1990.

A World History of Art. 6th ed. Eds. Hugh Honour and John Fleming. London: Laurence King Publishing, 2002. 902-3.

WOW: The Work of the Work. Exh cat. Seattle, Washington: Henry Art Gallery, University of Washington, 2004. Essay by Elizabeth A. Brown.

Yokohama Triennale 2008; Time Crevasse. Exh. cat. Eds. Mikami Yutaka, Hemmi Kai, et al. Tokyo: The Organizing Committee for the Yokohama Triennale, 2008.

Zeichen & Wunder. Exh. cat. Ed. Bice Curiger. Zurich: Kunsthaus, 1995.

ZwischenZonen: La Colección Jumex, Mexiko. Ed. Marco Antonio Hernández and Samuel Morales. Mexico: Colección Jumex, 2010.