GROUP EXHIBITION CATALOGUES & REFERENCE BOOKS

100 Artists See God. Exh. cat. Eds. John Baldessari and Meg Cranston. New York: Independent Curators International, 2004.

100 Artists See Satan. Exh. Cat. Ed. Sue Henger. San Francisco: Last Gasp; Fullerton: Grand Central Art Center, California State University Fullerton, 2004.

100 Contemporary Artists. Ed. Hans Werner Holzwarth. Los Angeles: Taschen America, 2009.

200 Artworks, 25 Years: Artists’ Editions for Parkett. Ed. Mark Welzel. Zurich: Parkett, 2009.

50 Contemporary Artists You Should Know. Ed. Brad Finger and Cristiane Weidemann. New York: Prestel Verlag, 2011.

Abject Art: Repulsion and Desire in American Art. Exh. cat. Ed. Jane Philbrick. New York: The Whitney Independent Study Program, 1995.

Action/Performance and the Photograph. Exh. cat. Ed. Robert C. Morgan. Los Angeles: Turner/Krull Galleries, 1993.

Adopt a Drawing: International Travelling Exhibition of Big and Little Artists. Eds. Sergio Casoli and Elena Geuna. Exh cat. Rome: Emergency, 2008

The Age of Modernism: Art in the 20th Century. Exh. cat. Berlin: Martin-Grobius-Bau, 1997.

All the Best: The Deutsche Bank Collection and Zaha Hadid. Exh. cat. Ariane Grigoteit. Leimen: ColorDruck, 2006.

Allegories of Modernism: Contemporary Drawing. Exh. cat. Ed. Bernice Rose. New York: The Museum of Modern Art, 1992.

Alpha Omega – Works from the Dakis Joannou Collection. Exh. cat. Ed. Massimiliano Gioni. Athens: DESTE Foundation for Contemporary Art, 2010.

American Art from the Goetz Collection, Munich. Exh. cat. Eds. Noemi Smolik and Rainald Schumacher. Prague: Galerie Rudolfinum, 2001.

American Film & Video: WHITNEY BIENNIAL, Electronic Undercurrents. Exh. cat. Eds. Vibeke Petersen and Marianne Torp Ockenholt. Copenhagen: Statens Museum for Kunst, 1996.

American Stories: Amidst Displacement and Transformation. Exh. cat. Tokyo: Setagaya Museum of Art, 1997.

American Playhouse: The Theatre of Self-Presentation. Exh. cat. Toronto: The Power Plant, 1998.

American Visionaries: Selections from the Whitney Museum of American Art. Maxwell Anderson. New York: Whitney Museum of American Art, 2002, 162.

Animals. Exh. cat. Ed. Christiane Schneider. London: Haunch of Venison Gallery, 2004.

Après: 7E Biennale D’Art Contemporain De Lyon. Exh. cat. Eds. Xavier Douroux, Franck Gautherot, Eric Troncy, with Robert Nickas, Anne Pontégnie. Lyon: Les Presses du réel/Fage éditions, 2003.

Arrested Childhood. Exh. cat. Ed. Bonnie Clearwater. North Miami, Florida: Center for Contemporary Art, 1994.

Ars Pro Domo: Zeitgenossische Kunst aus Kolner Privathesitz. Exh. cat. Ed. Wilfried Dickhoff. Cologne, Germany: Museum Ludwig, 1992.

Art After Appropriation: Essays on Art in the 1990s. By John C. Welchman. Amsterdam: G+B Arts International, 2001.

Art at the End of the 20th Century. Exh. cat. Eds. David A. Ross and Eugenie Tsai. New York: Whitney Museum of American Art, 1997.

Art Now. Cat. Eds. Uta Grosenick and Burkhard Riemschneider. Cologne: Taschen, 2001.

Art Now; Volume 3. Cat. Ed. Hans Werner Holzwarth. Cologne: Taschen, 2008

The Art of Not Making. Ed. Michael Petry. London: Thames and Hudson, 2011.

Art of the 20th Century: Volume II. Ed. Ingo F. Walther. Cologne, Lisbon, London, New York, Paris, Tokyo: Taschen, 1998.

L’art au corps. Marseilles: Musées de Marseille, 1996.

Artificial Intelligence in the Arts, nr. 1 “Brainwork.” Ed. Richard Kriesche. Graz, Austria: Steirischer Herbst, 1985.

Art­–A Sex Book. Eds. Bruce Hainley and John Waters. London: Thames & Hudson, 2003.

Art in the Center: Two Discussions on Documenta X. Ed. Peter Noever. Vienna: MAK-Austrian Center for the Applied Arts, 1997.

Art: Key Contemporary Thinkers. Eds. Diarmuid Costello and Johnathan Vickery. Oxford: Berg, 2007.

Art at Home: Ideal Standard Life. Exh. cat. Ed. Takayo Lida. Tokyo: Spiral Garden, 1997.

Art at Ringier: 1995-1998. Ringier AG, Zurich: 1999.

Art Since 1940: Strategies of Being. 2nd ed. By Johnathan Fineberg. Englewood Cliffs, New Jersey: Prentice Hall, 2000,482-483.

Artists Take on Detroit: Projects for the Tricentennial. Web-based exh. cat. Detroit: Detroit Institute of the Arts, 2001.

Art Today. By Brandon Taylor. London: Laurence King Publishing Ltd, 2005.

Au-dela du Spectacle. Exh. Pamphlet. Paris: Centre Georges Pompidou, 2000.

Aus der Sammlung von Arend und Brigitte Oetker. Exh. cat. Ed. Brigitte Oetker, et al. Köln: Verlag der Buchhandlung Walther Konig, 2008.

Avant: 7th Biennale d’Art Contemporain de Lyon. Exh. cat. Lyon: Fage editions, 2003.

Avant-Garde in the Eighties. Exh. cat. Ed. Howard N. Fox. Los Angeles: Los Angeles County Museum of Art, 1987.

Awards in The Visual Arts 7. Exh. cat. Winston-Salem, North Carolina: South Eastern Center for Contemporary Art, 1988.

Bad Girls and Sick Boys. Ed. Linda Kauffman. Berkeley and Los Angeles: University of California Press, 1998.

Bijoux de Famille. Galerie Chantal Crousel, 2009.

The BiNational: American Art of the Late 80s/German Art in the Late Eighties. Exh. cat. Eds. Trevor Fairbrother, David Joselit, and Elisabeth Sussman. Boston: The Institute of Contemporary Art and Museum of Fine Arts, 1988.

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Eds. Joan Rothfuss and Elizabeth Carpenter. Minneapolis: Walker Art Center, 2005.

California Video: Artists and Histories. Ed. Glenn Phillips. Los Angeles: Getty Publications, 2008. Exh. cat.

Catalogue Raisonné: Collection of Contemporary Art Fundación “la Caixa” Volume I. Barcelona: Fundación “la Caixa”, 2002.

Catalogue Raisonné: Collection of Contemoprary Art Fundación “la Caixa” Volume II. Barcelona: Fundación “la Caixa”, 2002.

Cal Arts: Skeptical Belief(s). Exh. cat. Eds. Catherine Lord et al. Chicago: The Renaissance Society at The University of Chicago; Newport Beach, California: Newport Harbor Art Museum, 1987.

California Artists: William T. Wiley, Mike Kelley, Brad Dunning. Exh. booklet. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1991.

The Carnegie International 1991, Vol. 1. Exh. cat. Eds. Lynne Cooke and Mark Francis. Pittsburgh: The Carnegie Museum of Art, 1992.

Chambris d’Amis. Exh. cat. Ghent, Belgium: Museum of Contemporary Art, 1997.

Close-Up. Exh. cat. Ed. Fiona Bradley. Edinburgh: The Fruitmarket Gallery, 2008.

Collateral: When Art Looks Like Cinema. Exh. cat. Milan: Hangar Bicocca, 2007. In Spanish: Colateral 2: Quando a arte olha o cinema, Adelina Von Fürstenberg. São Paulo: SESCSP, 2008.

The Collection Book: Thyssen-Bornemisza Art Contemporary. Eds. Eva Ebersberger and Daniela Zyman. Cologne: Verlag der Buchhandlung Walther König, 2009.

Color Chart: Reinventing Color, 1950 to Today. Exh. cat. Ed. Emily Hall, et al. New York: The Museum of Modern Art, 2008.

Colour: Documents of Contemporary Art. Ed. David Batchelor. London: Whitechapel.

“From the Poetics Project.” Columbia: A Journal of Literature and Art 33 (Summer 1999). With Tony Oursler.

Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. Exh. cat. Ed. Christian Rattemeyer. New York: Museum of Modern Art, 2009.

Contemporary Diptychs: Divided Visions. Exh. brochure. Ed. Roni Feinstein. Stamford, Connecticut: Whitney Museum of American Art at Fairfield County, 1987.

Contemporary Drawings: In Search of an Image. Exh. cat. Santa Barbara: University Art Museum, University of California, 1981. Essay by Vivian Ebersman and Justin Ebersman.

Contemporary Glass. Ed. Blanche Craig. London: Black Dog Press, 2008.

Crash. Exh. cat. Ed. Mark Francis and Kay Pallister. London: Gagosian Gallery, 2010.

Creamier: Contemporary Art In Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London: Phai~don, 2010.

A Creative Legacy: A History of The National Endowment for The Arts Visual Artists’ Fellowship Program 1966-1995. Essays by Nancy Princethal and Jennifer Dowley. New York: Harry N. Abrams, Inc., in association with the National Endowment for the Arts, 2002.

Currents—7: Words in Action. Exh. cat. Wisconsin: Milwaukee Art Museum, 1985.

[Cut]-Los Angeles—90′s Art Scene. Exh. cat. Copenhagen: Kunstforeningen, 1994.

Daiwa Radiator Factory: Viewing Room Vol. 01, June 2006. Hiroshima, Japan: Daiwa Radiator Factory, 2006.

Dance With Camera. Exh. cat. Jenelle Porter. Philadelphia: Institute of Contemporary Art. 2009.

Das Americas. Exh. cat. Ed. Carlos Basualdo. Sao Paulo, Brazil: Isabella Prata Consultoria de Arte and Galerie Luisa Strina, 1994.

Destroy All Monsters Magazine 1976-1979. Ed. Cary Loren. New York: Primary Information, 2001.

Destello. Ed. Fernando Espinosa. Ecatapec: Fundacion/Coleccion Jumex, 2011.

Desorders: Nan Goldin, Mike Kelley, Kiki Smith, Jana Sterbak, Tunga. Exh. cat. Eds. Catherine David and Veronique Dabin. Paris: Galerie nationale du Jeu de Paume, 1992.

The Devil on the Stairs: Looking Back on the Eighties. Exh. cat. Newport Beach, California: Newport Harbor Art Museum, 1991.

Dirty Data: Sammlung Schurmann. Exh. cat. Aachen, Germany: Ludwig Forum fur Internationale Kunst, 1992.

The Disembodied Spirit. Exh. cat. Bowdoin College Museum, Brunswick, Maine: Bowdoin College, 2003.

Display: International Exhibition of Painting. Exh. cat. Ed. Mikael Anderson. Copenhagen: The Charlottenborg Exhibition Hall, 1997.

Disparities & Deformations: Our Grotesque. Exh. Cat. Santa Fe, New Mexico: SITE Santa Fe Fifth International Biennial, 2004. Essay and text by Robert Storr.

Distemper: Dissonant Themes in the Art of the 1990s. Exh. cat. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1996.

Documenta IX. 3 volumes. Exh. cat. Eds. Roland Nachtigaller and Nicola von Velsen. Stuttgart, Germany: Edition Cantz; New York: Harry N. Abrams, 1992.

Documenta X. Exh. cat. Stuttgart, Germany: Edition Cantz, 1997.

Documenta X – the book. Exh. cat. Eds. Bernhard Balkenhol and Heiner Georgsdorf. Kassel: Universitat Gesamthochschule, 1998.

Do it. Exh. booklet. Klagenfurt, Austria: Hermann Gmeinerstrasse, 1996.

Do it. Exh. booklet. Australia: Lawrence Wilson Art Gallery, The University of Western Australia, 2001.

Do it (Chinese Edition). Ed. Hans Ulrich Obrist and Hu Fang. Shanghai: Shanghai Literature and Art Publishing House, 2007.

Do it : Volume I. Exh cat. Ed. Hans Ulrich Obrist. New York: E-flux; Frankfurt: Revolver Archiv für aktuelle kunst, 2004

Dolls in Contemporary Art: A Metaphor of Personal Identity. Exh. cat. Ed. Curtis L. Carter. Milwaukee: Marquette University, 1993.

Domain. Exh. cat. Ed. Denys Zacharopoulos. Bignan: Le Domain de Kerguehennec, Centre d’art, 1993.

Don’t Look Now. Exh. cat. Ed. Joshua Decter. New York: Thread Waxing Space, 1994.

Doubletake: Collective Memory and Current Art. Exh. cat. Ed. Lynne Cooke, Bice Curiger, and Greg Hilty. London: Hayward Gallery, 1992.

Drawing: Reaffirming the Media. Exh. cat. Kansas City: Gallery of Art, University of Missouri, 1994.

Drawings Acquisitions 1980-91. Exh. cat. New York: Whitney Museum of American Art, 1991.

Dreamlands. Exh cat. Text by Didier Ottinger, et al. Paris: Centre Pompidou, 2010.

Educational Complex. Exh. cat. Eds. Sabine Breitwieser and Lindsay Anderson. Vienna: Generali Foundation, 1997.

Educational Complex Onwards (1995-2008). Exh. cat. Ed. Anne Pontégnie. Wiels: JRP Ringier.

The 80s: A Topology. Exh cat. Ed. Ulrich Loock. Porto: Museu de Arte Contempranea de Serralves, 2006.

Emotion: Junge britische and amerikanische Kunst aus der Sammlung Goetz. Exh. cat. Hamburg: Deichtorhallen Hamburg, 1998.

Engel:Engel. Exh. cat. Vienna: Kunsthalle Wien, 1997.

Eerste hulp bij tekeningen. Exh. cat. Suzanna Heman and Rixt Hulshoff Pol. Amsterdam: Stedelijk Museum, 2008.

Everything’s Coming Up Sock Monkeys! (The Art and Business of the American Sock Monkey). B.K. Connelly. New York: In My Own Dream Publishing, 2006.

Everything That’s Interesting Is New. Exh. cat. Ed. Jeffrey Deitch. Athens, Greece: DESTE Foundation for the Arts, 1996.

Exhibition: Tenth Anniversary. Exh. cat. Valencia: California Institute of the Arts, 1981.

Expanded Art, II. Exh. cat. Ed. Dr. Cathrin Pichler. Vienna: Wiener Fest Wochen, 1992.

Explorations 1983-84. Exh. booklet. Valencia: California Institute of the Arts, 1984.

Eye Infection. Exh. cat. Amsterdam: Stedelijk Museum, 2001.

FACE/OFF: Im Körper des Feindes… Exh. cat. Ed. Robert Eikmeyer. Frankfurt: Revolver Archiv für aktuelle kunst, 2004.

Faces and Figures (Revisited): Contemporary Works on Paper from the 1960s to Today. Exh. cat. Eds. Marc Jancou and Justin Lieberman. Zurich: JRP Ringier, 2008.

Falsa Innocencia Falsa Inocencia False Innocence. Exh. cat. Ed. Victoria Izquierdo Brichs. Barcelona: Fundació Joan Miró, 2003.

Family Values: American Art in the Eighties and Nineties. Exh. cat. Hamburg, Germany: Galerie der Gegenwart, Kunsthalle, in association with Cantz Verlag, 1996.

Fast Forward Media Art Sammlung Goetz. Exh. cat. Eds. Ingvild Goetz and Stephen Urbaschek. Munich: Kunstverlag Ingvild Goetz G.m.b.H., 2003.

Fast Forward 2: The Power of Motion Media Art Sammlung Goetz. Exh. cat. Eds. Stephan Urbaschek and Engvild Goetz. Ostfildern: Hatje Cantz, 2010.

First Step…Towards a Collection of Western Contemporary Art. Exh. cat. Eds. Kay Heimer and Hanne Tonger-Erk. Essen: Niessen GmbH, 2008. Translated from Polish, see “Pierwszy Krok.”

Feminimasculin: Le sexe de l’art. Exh. cat. Paris: Centre Georges Pompidou, 1996.

The Fifth Biennale of Sydney—Private Symbol: Social Metaphor. Exh. cat. Ed. Stuart Morgan, et al. Sydney, Australia: The Art Gallery of New South Wales, 1984.

50 especes d’espaces: oeuvres du Centre Georges Pompidou, Musée national d’art moderne. Exh. cat. Marseille: Musées de Marseille.

Filling in the Gap. Exh. brochure. Ed. Saul Ostrow. Chicago: Feigen, 1989.

The First Newport Biennial: Los Angeles Today. Exh. cat. Newport Beach, California: Newport Harbor Art Museum, 1984. Essays by Timothy Martin and Benjamin Weissman.

The First Show: Painting and Sculpture from Eight Collections 1940-1980. Exh. cat. Los Angeles: Museum of Contemporary Art, 1983.

The First Valencià Biennial/Communication Between the Arts: The Passions. Exh. cat. Valencià: IVAM-Institut Valencià d’Art Modern, 2001.

For What You Are About to Receive. Exh. cat. Ed. Alison McDonald. Germany: Gagosian Gallery, 2008.

A Forest of Signs: Art in the Crisis of Representation. Exh. cat. Eds. Ann Goldstein, Mary Jane Jacob, and Howard Singerman. Los Angeles: Museum of Contemporary Art, 1989.

Formless, A User’s Guide. Eds. Yve-Alain Bois and Rosalind E. Krauss. New York: Zone Books, 1997.

Fort! Da! Cooperations. Exh. cat. Ed. Renata Damsch-Wiehager. Stuttgart, Germany: Villa Merkel Galerie der Stadt Esslingen, 1997.

40 ans: Galerie Daniel Templon. Paris: Communic’art, 2006.

Foto.Kunst. Exh. cat. Eds. Lucie Binder-Sabha and Sylvia Köpf. Klosterneuburg: Edition Sammlung Essl, 2007.

Fourteenth World Wide Video Festival, 1996. Exh. cat. The Hague: Stichting World Wide Video Centre, 1996.

The 43rd Biennale of Venice, Aperto ’88. Exh. cat. Milan: Fabbri Editori, 1988.

Friedrich Christian Flick Collection im Hamburger Bahnhof. Exh. cat. Berlin, Germany: Hamburger Bahnhof–Museum für Gegenwart, Verlag SMB–Dumont, 2004.

Goetz Meets Falckenberg. Exh. cat. Hamburg-Harburg: Kulturstiftung Phoenix Art, 2005.

Gothic. Exh. cat. Boston: Institute of Contemporary Art, 1997.

The Gothic. Ed. Gilda Williams. Documents of Contemporary Art Series. London: Whitechapel Ventures Limited; Cambridge: MIT Press, 2007.

Graz 1988. Exh. cat. Graz, Austria: Kunstverein, 1988. Essays by Edward Limonov, Viktor Misiano, Anda Rottenberg, et al.

The Greatest Album Covers of All Time. By Barry Miles, Grant Scott, and Johnny Morgan. London: Collins and Brown, 2005.

Groei: In de Collectie Peter Stuyvesant. Exh. cat. Amsterdam: Rothmans International European Headquarters, 1997.

Guggenheim Museum Collection A to Z. Ed. Nancy Spector. New York: Guggenheim Museum Publications, 2001.

Guys Who Sew. Exh. booklet. Santa Barbara: University Art Museum, University of California, 1994.

Headhunters. Exh. brochure. Los Angeles: Los Angeles Contemporary Exhibitions, 1986. Essay by Timothy Martin.

Heart in Mouth. Exh. booklet. Eds. Sue Spaid and Nick Taggart. Los Angeles: Fahey/Klein Gallery, 1990.

Helter Skelter: L.A. Art in the 1990s. Exh. cat. Ed. Catherine Gudis. Los Angeles: Museum of Contemporary Art, 1992.

Heinz and Marianna Ebers Foundation. Exh. cat. Ed. Martin Hentschel. Bielefeld, Germany: Kerber, 2011.

Holy Inspiration Religion and Spirituality in Modern Art. Exh. cat. Ed. Marty Bax. Amsterdam: Museum Shop Die Neiuwe Kerk, Heleem van Ketwich Verschuur, 2008.

Home Sweet Home. Exh. cat. Ed. Zdenek Felix. Hamburg, Germany: Diechtorhallen, 1997.

Hors limites: L’art et la vie. Exh. cat. Paris: Centre Georges Pompidou, 1994.

Im Anfang War das Wort. Exh. cat. Munich: Haus der Kunst, 2006.

Individual Realities. Exh. cat. Tokyo: Sezon Museum of Art, 1991.

Individuals: A Selected History of Contemporary Art, 1945-1986. Exh. cat. Ed. Julia Brown Turrell. Los Angeles: Museum of Contemporary Art, 1986.

Insiders. Exh. cat. Bordeaux: Arc en Rêve Centre d’Architecture CAPC Museé d’Art Contemporain, Bordeaux, France: 2009.

Into Me/Out of Me. Exh. cat. Ed. Klaus Biesenbach. Ostfildern: Hatje Cantz Verlag, 2007.

Inventory: Works from the Herbert Collection. Exh. cat. Graz: Kunsthaus Graz am Landesmuseum Joanneum, 2006.

Les Enfants Terrible: Il linguaggio dell’infanzia nell’Arte 1909-2004. Exh. cat. Lugano, Italy: Museo Cantonale di Lugano, 2004.

L’informe: Le modernisme a rebours. Exh. cat. Paris: Centre Georges Pompidou, 1996.

The Luminous Interval. Exh. cat. New York: Simon R. Guggenheim Foundation, 2011.

In Search of Self. Exh. cat. Durham, North Carolina: University Museum of Art, 1993.

Is It Art?: Transgressions in Contemporary Art. Exh. cat. Virginia: Virginia Beach Center for the Arts, 1995.

It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art. Exh. cat. Ed. David Rubin. Cincinnati, Ohio: Contemporary Arts Center, 1996.

Jackson Pollock: und die Malerei nach der Organisation der Malerei. By Udo Kittelmann. Baden-Baden, Germany: Sammlung Frieder Burda and StaatlicheKunsthalle Baden-Baden.

Jahresgaben 04/05 Kunstverein Braunschweig. Exh. and Sale cat. Braunschweig, Germany: Kunstverein Braunschweig, 2004.

Jedermann Collection – Set 5 from the Fotomuseum Winterthur Collection. Exh cat. Ed: Miriam Wiesel, et al. Zurich: Fotomuseum Winterthur, 2008.

El jardin salvaje. Exh. cat. Ed. Dan Cameron. Madrid, Spain: Fundacion Caja de Pensiones, 1991.

The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. Ed. Christian Rattemeyer. New York: Museum of Modern Art, 2009.

Just Love Me: Post /Feminist Positions of the 1990s from the Goetz Collection. Exh. cat. Eds. Rainald Schumacher and Matthias Winzen. Köln: Verlag Der Buchhandlung Walter König, 2003.

Just Pathetic. Exh. cat. Ed. Ralph Rugoff. Los Angeles: Rosamund Felsen Gallery, 1990.

Just What Is It That Makes Today’s Homes So Different, So Appealing? Exh. cat. Ed. Dan Cameron. Glen Falls, New York: The Hyde Collection, 1991.

Knowledge: Aspects of Conceptual Art. Exh. cat. Eds. Francis Colpitt and Phyllis Plous. Santa Barbara: University Art Museum, University of California, 1992.

Kunst Aus Los Angeles der 60er bis 90er Jahre. Exh. Cat. Braunschweig, Germany: Kunstverein Braunschweig, 2007.

Künstler: Kritisches Lexikon de Gegenwartskunst. Eds. Lothar Romain and Dr. Ivo Ktanzfelder. Munchen: Verlage Weltkunst and Bruckman, 2000. Essay by Yves Cohn-Thibault.

KunstlerInnen: 50 Gesprache. Exh. cat. Vienna: Kunsthaus Bregenz, 1997.

Kustom Kulture. Exh. cat. Laguna Beach, California: Laguna Art Museum, 1993.

L.A. Artland: Contemporary Art from Los Angeles. Eds. Chris Kraus, Jan Tumlir, and Jane McFadden. London: Black Dog Publishing, 2005.

L.A. Hot and Cool: The Eighties. Exh. cat. Ed. Dana Friis-Hansen, et al. Cambridge: List Center for the Visual Arts, Massachusetts Institute of Technology, 1987.

La Invención de Lo Cotidiano (The Practice of Everyday Life). Exh cat. Mexico City: Museo Nacional de Arte: 2009.

Laid Bare. Exh. cat. In Hot Rod 17 (Oslo, Norway: 2002).

Laying Low: Postminimalist/Scatter Art. Exh. cat. Oslo, Norway: Kunstnernes Hus, 1997.

LAX. Exh. cat. Vienna: Galerie Krinzinger, 1992.

Le desenchantment du monde. Exh. cat. Ed. Christian Bernard. Nice, France: Centre national d’art contemporain, Villa Arson, 1990.

Lieux communs, figures singulieres. Exh. cat. Paris: Musée d’art moderne de la ville de Paris, 1991.

Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Ed. Elizabeth A.T. Smith. Chicago: Museum of Contemporary Art, Chicago, 2002.

Life on Mars. Exh. cat. Ed. Douglas Fogle. Pittsburgh: Carnegie Museum of Art, 2008.

Likeness: Portraits of Artists by Other Artists. Exh. cat. Eds. Matthew Higgs, Kevin Killian, and David Robbins. New York: Independent Curators International, 2004.

L’Immagine Riflessa. Exh. cat. Switzerland: Centro per l’Arte Contemporanea Luigi Pecci, 1995.

Lost and Found in California: Four Decades of Assemblage Art. The Second Generation: The Narrative 1957-1987. Exh. cat. Santa Monica, California: James Corcoran Gallery and The Pence Gallery, 1988.

Lotte or the Transformation of the Object. Exh. cat. Ed. Clementine Deliss. Graz, Austria: Kunstverein, 1990.

Love Hotel. Exh. brochure. Canberra: National Gallery Of Australia, 1997.

MACBA Collection 1: Itinerary. Ex. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002.

Made in California: Art, Image, and Identity 1900-2000. Exh. cat. Eds. Stephanie Barron, Sheri Bernstein, and Ilene Susan Fort. Los Angeles: Los Angeles County Museum of Art; Berkeley, Los Angeles, London: University of California Press, 2000.

Magasin 1986-2006. Ed. Yves Aupetitallot. Grenoble: Le Magasin-Centre National d’Art Contemporain, Zurich: JRP/Ringier, 2005.

Magritte and Contemporary Art: The Treachery of Images. Exh. Cat. Los Angeles: Los Angeles Contemporary Museum of Art, 2006/07.

Make Your Own Life: Artists In and Out of Cologne. Exh. cat. Ed. Bennett Simpson. Phiadelphia: Institute of Contemporary Art, University of Pennsylvania, 2006.

Making It Real. Exh. cat. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1997.

Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects. Exh. cat. Luxembourg: Casino Luxembourg, 2000.

Mapping the Studio: Artists from the Francois Pinault Collection. Ed. Alison Gingeras. Exh.cat. Venice: Palazzo Grassi Spa, 2009.

Martian Museum of Terrestrial Art. Ed. Francesco Manacorda, Lydia Yee and Corrina Gardner. Exh. cat. London: Merrell, 2008.

Masterpieces: CAPC Musée d’art contemporain de Bordeaux. Ed. Louis Nègre, et al. Bordeaux: Cinq Sens, 2007.

Micropolitics: Art and Everyday Life (2001-1968). Exh. cat. Ed. Juan Vicente Aliaga, et al. Valenciana, Spain: Espai d’Art Contemporani de Castelló, 2002.

Mike Kelley. Exh. cat. Ed. Karsten Löckemann and Stephan Urbaschek. Munich: Kunstverlag Ingvild Goetz: 2008.

Mike Kelley: 1975-1994 Works. Exh cat. Ed. Richard Slovak. Text by Justin Lieberman. Verona: EBS, 2006.

Mike Kelley & Peter Fischli and David Weiss. Ed. Rainald Schumacher. Exh. cat. Munich: Ingvild Goetz, 2000.

Milk and Melancholy. Kenneth Hayes. Toronto: Prefix Museum of Contemporary Art, 2008.

Metropolis: International Art Exhibition Berlin 1991. Exh. cat. Eds. Christos M. Joachamides and Norman Rosenthal. Berlin: Martin-Gropius-Bau, 1991.

Mixed-Up Childhood. Exh Cat. Eds. Janita Craw and Robert Leonard. Auckland: Auckland Art Gallery, 2005.

Modern and Contemporary Master Drawings. Exh. cat. London: Connaught Brown, 2006.

Modern Contemporary: Art at MOMA Since 1980. Exh. cat. Eds. Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. New York: Museum of Modern Art, 2000. In conjunction with the exhibition Open Ends.

MOMA: Highlights since 1980. Ed. Rebecca Roberts. New York: Museum of Modern Art, 2007.

Monument To Now: The Dakis Joannou Collection. Exh. Cat. Ed. Jeffrey Deitch, Curated by Dan Cameron, Jeffrey Deitch, Allison M. Gingeras, Massimiliano Gioni, and Nancy Spector. Athens: DESTE Foundation for Contemporary Art, 2004.

Murder. Exh. cat. Ed. John Yau. Santa Monica, California: Bergamot Station Arts Center and Smart Art Press, 1995.

My Name: Sammlung Falkenberg. Exh. cat. Cologne, Germany: Oktagon, 1999.

Natural Settings. Exh. booklet. Ed. Ned Rifkin. Washington D.C.: The Corcoran Gallery of Art, 1986.

Neue Welt. Exh. cat. Frankfurt, Germany: Frankfurter Kunstverein. 2001.

New Art. Ed. Phyllis Freeman, et al. New York: Harry N. Abrams, 1990.

New Glass Review 29. New York: Corning Museum of Glass, 2008.

New Material As New Media: The Fabric Workshop and Museum. Ed. Marion Boulton Stroud. Cambridge, Massachusetts: MIT Press, 2002.

Networking: Art by Post and Fax. Exh. cat. Ed. Andrew Patrizio. London: Hayward Gallery, 1997.

1985 Biennial Exhibition. Exh. cat. Ed. Richard Armstrong, et al. New York: Whitney Museum of American Art, 1985.

1987 Phoenix Biennial. Exh. booklet. Ed. Bruce D. Kurtz. Arizona: Phoenix Art Museum, 1987.

1989 Biennial Exhibition. Exh. cat. Ed. Richard Armstrong, et al. New York: Whitney Museum of American Art, 1989.

1991 Biennial Exhibition. Exh. cat. Ed. Richard Armstrong, et al. New York: Whitney Museum of American Art, 1991.

1993 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1993.

1995 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1995.

No. 1: First Works by 362 Artists. Eds. Francesca Richer and Matthew Rozenweig. New York: D.A.P./Distributed Art Publishers, Inc., 2005.

Not Afraid: Rubell Family Collection. New York: Phaidon, 2004.136, 137, 139.

The Not-So-Still-Life. Exh. cat. Susan Landauer, William H. Gerdts, Patricia Trenton. Berkeley and Los Angeles: University of California Press, 2003.

Not to Play with Dead Things. Eric Mangion. Exh. cat. JRP Ringier: 2008. In French, Presses du Réel: 2008.

The Object Sculpture. Exh. Cat. Leeds: Henry Moore Institute, 2002.

Oh Boy, It’s a Girl: Feminismen in der Kunst. Exh. cat. Munich, Germany: Kunstverein, 1994.

Oh! Cet Echo! Exh. cat. Paris: Centre Culturel Suisse, 1993.

On Beauty. Exh. cat. Moscow: Regina Gallery, 1995.

Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Los Angeles: Museum of Contemporary Art, 1997.

Out of Actions: Actionism, Body Art and Performance 1949-1979. Exh. cat. Vienna: MAK-Austrian Center for the Applied Arts, Cantz Verlag, Ostfildern; Los Angeles: The Museum of Contemporary Art, 1998.

Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Japanese edition. Tokyo: The Museum of Contemporary Art, 1999.

Painting at the Edge of the World. Exh. cat. Minneapolis: Walker Art Center, 2001.

Panic Attack: Art in the Punk Years. Exh. Cat. Eds. Mark Sladen and Ariella Yedgar. London: Barbican Art Gallery, 2007.

Parkett: Collaborations & Editions since 1984. Exh. cat. Zurich: Parkett Publishers, 2001.

Passioniert Provokativ Die Sammlung Stoffel. Exh. cat. Ostfildern: Hatje Cantz, 2008.

Pierwszy Krok (First Step…Towards a Collection of Western Contemporary Art. Exh. cat. Eds. Kay Heimer and Hanne Tonger-Erk. Essen: Niessen GmbH, 2008. Translation in English.

Planet B: The Aesthetics of B-Movies in Contemporary Visual Arts. Exh. cat. Eds. Wolfgang Fetz, Boris Kremer, and Judith Reichart. Bregenz: Palais Thurn & Taxis and Magazin4 Bregenzer Kunstverein, 2004.

Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. Exh. Booklet. New York: Whitney Museum of American Art Independent Study Program, 2001.

Playtime: Artists and Toys. Exh. cat. Stamford, Connecticut: Whitney Museum of American Art at Champion, 1995.

Poetic Resemblance. Exh. cat. Ed. Barbara Broughel. Buffalo, New York: Hallwalls, 1986.

Post Human. Exh. cat. Ed. Jeffrey Deitch. Lausanne, Switzerland: Musée d’art contemporain, 1992.

Portikus Frankfurt am Main 1987-1997. Ed. Brigitte Kolle. Frankfurt: Portikus, 1997.

Power to the Imagination: Artists, Posters and Politics. Ed. Jürgen Döring. Munich: Hirmer Verlag, 2011.

Presenting Rearwards. Exh. cat. Ed. Ralph Rugoff. Los Angeles: Rosamund Felsen Gallery, 1991.

Presumed Innocence. Exh. cat. Ed. Jean Crutchfield. Virginia: Anderson Gallery School of Fine Arts, 1997.

Private View: 1980-2000: Collection Pierre Huber. Exh. Cat. Ed. Yves Aupetitallot. Lausanne: Musée cantonal des Beaus-Arts de Lausanne, 2005.

Prospect 89: Eine Internationale Ausstellung aktueller Kunst. Exh. cat. Frankfurt: Kunstverein, 1989.

Punk Picasso. By Larry Clark. New York: Roth Horowitz, PPP Editions and AKA Editions, 2004. Interview with Larry Clark.

The Puppet Show. Exh. cat. Text by Ingrid Schaffner, Carin Kuoni, Michael Taylor, et al. Ed. Ingrid Schaffner and Carin Kuoni. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008.

Qui a peur des artistes? Exh. cat. Ed. Caroline Bourgeois. Paris: Palais des Arts et du Festival of Dinard, 2009.

Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Exh. cat. Chicago: Museum of Contemporary Art, 1994.

The Return of The Cadavre Exquis. Exh. cat. Ed. Jane Philbrick. New York: The Drawing Center, 1993.

Re: Framing Cartoons. Exh. booklet. Columbus, Ohio: Wexner Center for the Arts, 1992.

Re: Framing Cartoons. Exh. cat. New York: Loughelton Gallery, 1990.

Regift. Exh booklet. Ed. Gianni Jetzer. New York: Swiss Institute Contemporary Arts, 2009.

Retorn al País del les Meravelles: L’ art contemporani i la infància. Exh. cat. Barcelona: Fundació “la Caixa”, 2001.

Robert Gober, On Kawara, Mike Kelley, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Cindy Sherman,Thomas Struth, Philip Taaffe, Christopher Wool. Exh. cat. Eds. Jean-Christoph Amman and Jerry Saltz. Cologne: Galerie Max Hetzler, 1992.

Rock – Paper – Scissors: Pop Music as Subject of Visual Art. Exh. cat. Christian Höller, et al. Graz: Kunsthaus Graz am Landemuseum Joanneum, 2009.

Rooseum 1988-1998. Eds. Jaana Jarretorp and Ulrike Leven. Malmö, Sweden: Rooseum Center for Contemporary Art, 1998.

Scene of the Crime. Exh. cat. Eds. Anthony Vidler and Peter Wallen. Los Angeles: UCLA at The Armand Hammer Museum of Art and Cultural Center, 1997.

The Shanghai Papers. Eds. Annette W. Balkema, Li Nang, and Xiang Liping. Osfildern: Hate Cantz, 2008.

Signal Approach. Exh. booklet. Toronto: The Funnel, 1984.

Signos y Milagros. Exh. cat. Ed. Bice Curiger. Galego, Spain: Centro Galego de Arte Contemporanea, 1995.

Silent and Violent: Selected Artists’ Editions. Exh. cat. Ed. Peter Noever. Zurich, Frankfurt, New York: Parkett Publishers; Vienna: MAK-Austrian Center for the Applied Arts, 1995. Published on the occasion of the exhibition at the MAK Center for Art and Architecture, Los Angeles.

Slightly Unbalanced. Exh. cat. Ed. Stephen Robert Frankel. Essays by Susan Hapgood and Susan M. Andersen. New York: iCI, 2008.

Someone Else with My Fingerprints. Exh. cat. Ed. Wilhelm Schurman. Cologne: Salon Verlag, 1997.

Sonic Process: Une nouvelle géographie des sons. Exh. cat. Paris: Centre Georges Pompidou Editions, 2002.

Sonic Process: A New Geography of Sounds. Exh. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002.

Sonsbeek 93. Exh. cat. Eds. Jan Brand, Catelejne de Muynck, and Valerie Smith. Arnhem, The Netherlands: International Art Exhibition Sonsbeek, 1993.

Sound. Exh. cat. Los Angeles: Los Angeles Institute for Contemporary Art; Long Island City, New York: P.S. 1 Contemporary Art Center, Institute for Art and Urban Resources, 1979.

Sound Art: Beyond Music, Between Categories. Alan Licht. New York: Rizzoli International Publications, 2007.

The Spectacular Vernacular. Texts by Darsie Alexander, Andy Sturdevant, and John Brinckerhoff Jackson. New York: Distributed Art Publishers, 2001.

Spectrum: Natural Settings. Exh. booklet. Washington, D.C.: The Corcoran Gallery of Art, 1986.

Spirit of Our Time. Exh. cat. Santa Barbara, California: Contemporary Arts Forum, 1990.

Stained Sheets / Holy Shroud. Exh. cat. Santa Monica, California: Krygier / Landau Contemporary Art, 1990.

Sunshine & Noir. Exh. cat. Humlebaek, Denmark: Lousiana Museum of Modern Art, 1997.

Sympathy for the Devil: Art and Rock and Roll Since 1967. Exh. cat. New Haven: Yale University Press, 2007.

Taschen Collection. Exh. cat. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia, 2004.

Telle est la Télé: L’art contemporain et la television. By Benjamin Thorel. Paris: Imaginaire: Mode D’Emploi/Editions Cercle d’Art, Salon du livre, 2007

A Theater Without Theater. Exh. cat. Ed. Clara Plasencia. Barcelona: Museu d’Art Contemporani de Barcelona, 2007. Translated in Spanish and Catalan.

Thinking Print: Books To Billboards, 1980-95. Exh. cat. New York: Museum of Modern Art, 1996.

This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Ed. Elizabeth Hamilton. Essays by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

Toyama Now ’87. Exh. cat. Toyoma, Japan: Museum of Modern Art, 1987.

Transformers: The Art of Multiphrenia. Exh. cat. Ed. Ralph Rugoff. New York: Independent Curators Incorporated; Annandale-on-Hudson, New York: Center for Cultural Studies, Bard College, 1995.

Translation. Exh. Cat. Paris: Palais de Tokyo in conjucnction with The Deste Foundation Center for Contemporary Art, Athens, 2006.

“Un Certain Etat du Monde? (A Certain State of the World?): A Selection of Works from the Francois Pinault Foundation. Exh. cat. Ed. Francesco Baragiola. London: Thames and Hudson, 2009.

The Unhomely: Phantom Scenes in Global Society. Exh. cat. Ed. Okwui Enwezor. Seville, Spain: 2nd International Biennial of Contemporary Art of Seville, 2006.

Uniform Order and Disorder. Exh. cat. Eds. Francesco Bonami, Maria Luisa Frisa, and Stephano Tonchi. Milan: Edizioni Charta, 2000.

Uber Leben. Exh. cat. Ed. Annie Pohlen. Bonn, Germany: Kunstverein, 1994.

The Use of Pleasure. Exh. cat. San Francisco: Terrain Gallery, 1994.

Veronica’s Revenge: Contemporary Perspectives on Photography. Ed. Elizabeth Janus. New York: Scalo Editions,1998.

Video Acts: Single Channel Works from the Collection of Pamela and Richard Kramlich and New Art Trust. Exh. cat. Eds. Klaus Biesenbach, Anthony Huberman, and Amy Smith. Long Island City, New York: P.S.1 Contemporary Art Center, 2002.

“The Lannan Collection.” Museum Studies (Art Institute of Chicago) 25.1 (2000).

Warped Space. Anthony Vidler. Cambridge: MIT Press, 2000.

What is Contemporary Art? Exh. cat. Ed. Dan Cameron, et al. Malmö, Sweden: Rooseum Center for Contemporary Art, 1989.

Where Are We Going?: Selections from the François Pinault collection, Exh. cat. Ed. Alison M. Gingeras and Jack Bankowsky. Milan: Skira, 2006. Translations in Italian, French and German.

White: Whiteness and Race in Contemporary Art (Issues in Cultural Theory 7). Exh. cat. Ed. Maurice Berger. Baltimore: Center for Art and Visual Culture, University of Maryland, 2004.

Whitney Biennial 2002. Exh. cat. New York: Whitney Museum of American Art, 2002.

Whitney Museum of American Art at Altria: 25 Years. Ed. Eth Huseman. New Haven: Yale University Press, 2008.

Who Am I? What Am I? Where Am I? Aura Rosenberg. Ostfildern: Hatje Cantz, 2008.

Without Boundary. Exh. cat. New York: Museum of Modern Art, 2006.

Word as Image: American Art 1960-1990. Exh. cat. Wisconsin: Milwaukee Art Museum, 1990.

A World History of Art. 6th ed. Eds. Hugh Honour and John Fleming. London: Laurence King Publishing, 2002. 902-3.

WOW: The Work of the Work. Exh cat. Seattle, Washington: Henry Art Gallery, University of Washington, 2004. Essay by Elizabeth A. Brown.

Yokohama Triennale 2008; Time Crevasse. Exh. cat. Eds. Mikami Yutaka, Hemmi Kai, et al. Tokyo: The Organizing Committee for the Yokohama Triennale, 2008.

Zeichen & Wunder. Exh. cat. Ed. Bice Curiger. Zurich: Kunsthaus, 1995.

ZwischenZonen: La Colección Jumex, Mexiko. Ed. Marco Antonio Hernández and Samuel Morales. Mexico: Colección Jumex, 2010.