INTERVIEWS

Print

Albertini, Rosanna. “On the Sex of Art.” Artpress (France) 205 (Sept. 1995): 42-43.

Antoine, Jean-Philippe. “Basket nocturne a dos d’ane.” Les Cahiers du Musée national d’art moderne (Paris, Centre Georges Pompidou) 73 (Fall 2000): 102-123.

Bessa, Sergio. “Historic Kiosk.” Zingmagazine 2 (Summer 1998).

Berwick, Carly. “Mike Kelley: An Interview by Carly Berwick.” Art in America (Nov. 2009): 170-175.

Bessing, Joachim. “Mike Kelley. Kandor.” Quest 28 (Oct./Nov. 2007): 116-121.

Burnham, Clint. “It’s Clean Dirt.” The Drippy Gazette (Jan. 2000): 4.

Braet, Jan. “Kunst is alttijd sociaal.” Knack (Sweden) 51 (28 Dec. 1999): 80-82.

Breitenberg, Mark. “Freak Culture.” Art & Text (Feb.-Apr. 2000): 54-61.

Brugerolle, Mary de. “Fragments et Bribes.” Trouble 2 (2002): 110-117.

Burnichon, Marie-Cecile. “Special Ketchup Forces.” O2 28 (Winter 2003/2004):32-33.

Casavecchia, Barbara and Helena Kontova. “Mike Kelley: Non Aprite Quella Porta.” Flash Art (Italy) 223 (Oct.-Nov. 2000): 82-85.

Chevrier, Jean-Francois. “Mike Kelley.” Galeries Magazine (1991): 89-91+.

Colin, Kim, and Mark Skiles. “Missing Space/Time: A Conversation With Mike Kelley.” Offramp 6 (1995): 80-99.

Cooper, Dennis. “Trauma Club.” Artforum (Oct. 2000): 126-129.

Cooper, Dennis. “Mike Kelley Talks to Dennis Cooper.” Artforum (Apr. 2003): 224-225+.

Cotter, Holland. “Eight Artists Interviewed.” Art in America (May 1987): 162-197.

Cranston, Meg. “Deploy All Monsters.” Raygun (Apr. 1999).

Decter, Joshua. “Stephen Prina and Mike Kelley.” A/drift. Exh. cat. Annandale on Hudson, New York: Bard College, 1997. 47-55.

“The Dirty Boys: Conversations with Mike Kelley and John Waters.” Grand Street 57: Dirt (1996): 8-22. Reprinted in Interviews, Conversations and Chit-Chat (1986-2004). Ed. John C. Welchman. Zurich: JRP/Ringier; Dijon: Les Presses du réel, 2005. 119-134.

Eikmeyer, Robert “Destroy All Monsters.” FACE/OFF: Im Körper des Feindes. Ed. Robert Eikemeyer. Frankfurt: Revolver Archiv für aktuelle kunst, 2004. 63-69.

Ekeberg, Jonas. “En Slags Perversion.” Hyperfoto 3-4 (1996): 36-41.

Gholson, Craig. “Mike Kelley.” Bomb (Winter 1988): 85.

Graw, Isabelle. “Isabelle Graw in Conversation with Mike Kelley.” Mike Kelley. London: Phaidon Press Ltd, 1999: 8-41. Reprinted in Press Play: Contemporary Artists in Conversation. London: Phaidon, 2005. 380-395.

Hainley, Bruce and John Waters. “Nine Sex Questions.” Art-A Sex Book. Ed. Bruce Hainley and John Waters. London: Thames & Hudson, 2003. 43+ and cover.

Halle, Howard. “Mike Kelley and Michael Smith.” Time Out New York 726 27 Aug 2009: np.

Hess, Ewa. “Wo hört das Chaos auf, wo fängt die Form an?” Sonntags Zeitung (German) (2 Apr. 2000): 67.

Hofleitner, Johanna. “Familien-Analyse: Interview with Mike Kelley and Paul McCarthy.” Die Presse Schaufenster 18 Sept. 1998: 6-7.

Jocks, Heinz-Norbert. “Mit sex kann man der Bourgeoisie heute keinen Schlag mer verpassen.” Kunstforum 130 (May-July 1995): 273-93.

_______. “Als Kind war ich ein Bucherwurm, der davon traumte, eines Tages ein Erzahler zu werden.” Kunstforum 139 (Dec. 1997-Mar. 1998): 186-195.

Kimmelman, Michael. “Kandors: Mike Kelley Kryptonizes Beauty and the Sublime.” Contemporary Culture 32.14 (Berlin) (Winter 2007/2008): 248.

Kimmelman, Michael. “Shocking People with a Pretty Show.” The Berlin Journal (Spring 2008): 26-31.

Kellein, Thomas. Mike Kelley/Thomas Kellein: A Conversation. Stuttgart, Germany: Cantz Verlag, 1994.

Koether, Jutta. “Jutta Koether 100% Malerie oder wie aus Musik Malerie wird und Umgekehrt: ein Gesprach von Mike Kelley.” Kunstforum 134 (May-Sept. 1996): 242-248.

Kothenschulte, Daniel. “Black Nostalgia: an Interview with Mike Kelley.” Mike Kelley. Exh. cat. Branschweig: Kunstverein Braunschweig and Cologne: Verlag der Buchhandlung Walther Konig, 1999.

Kremer, Mark. “Mike Kelley: A Fucked-Up Mirror of Dominant Image Making.” Art Press (France) 183 (Sept. 1993): E5-8.

Kubik, Chris. “Mike Kelley Babbles, Bullshits, and Speaks in Tongues.” Conduit 1 (Spring 2001).

Löckemann, Karsten and Stephan Urbaschek. “A Telephone Conversation with Mike Kelley, August 2008.” Mike Kelley. Ed. Karsten Löckemann and Stephan Urbaschek. Munich: Ingvild Goetz, 2008: 72-93.

Lütticken, Sven. “De infantiliseringscultuur.” De Witte Raaf 96 (Mar.-Apr. 2002): 9.

Martin, Tim. “Mike Kelley im Gesprach mit Timothy Martin, Wien, 1992.” KunstlerInnen: 50 Gesprache. Exh. cat. Vienna: Kunsthaus Bregenz, 1997. 138-141.

McKenna, Kristine. “The Taboo Artist.” Los Angeles Times 5 July 1992: 4+.

McMullen, Dan. “Interview: Mike Kelley.” Artists News (Feb. 1981).

Miller, Ken. “Mike Kelley.” Tokion (Nov.-Dec. 2004): 50-51.

Miller, John. “Too Young to be a Hippy, Too Old to be a Punk,” Be Magazin 1 1, (24 May 1994): 119-123 with German translation by Clara Dreschler, 124-129. Excerpts republished as “Marcuse fur Teenager” Die Tageszeitung, (27 May 1994): 15 “Die Depolitisierung der Hippiekultur trug zu ihrer Mystifizierung bei.” Kunstforum 134 (May-Sept. 1996): 199-205; Reprinted as “Too Young to be a Hippie, Too Old to be a Punk.” When Down is Up. John Miller. Frankfurt, Germany: Revolver Archiv für Actuelle Kunst, 2001: 141-157.

________. “Interview with John Miller.” Mike Kelley. Ed. William S. Bartman, and Miyoshi Barosh. New York: Art Resources Transfer, 1992. Excerpts reprinted in Bomb (Winter 1992): 26-31.

Morishita, Taisuke. “Mike Kelley.” Freakout 17 (Japan) (1997): 4+.

Muller, Markus and Ulrike Groos. “Interview with Mike Kelley.” Make It Funky. Cologne: Oktagon, 1998. 190-204.

O’Brien, Glenn. “Mike Kelley.” Interview Dec/Jan 2009: 172-179.

Reid, Larry. “Sympathy for Stuffed Animals and UFO Abductees: Kelley Explains Himself and Destroy All Monsters.” Juxtapoz (Spring 1995): 28-35.

Rollig, Stella. “Die Kunst wird wie die Liebe vollig grundlos fur ein Vergnugen gehalten.” Artis (Feb. 1992): 16-22.

Rugoff, Ralph. “Dirty Toys: Mike Kelley Interviewed.” 21st Century (Winter 1992): 4-11.

Rugoff, Ralph. “Existing in an Ahistorical Fantasy Space of Trauma.” Horizontal Tracking Shots. Exh. cat. New York: Gagosian Gallery, 2009: 115-127.

Sanders, Mark. “Blah, Blah, Blah.” Dazed and Confused 17 (1995): 80-83.

Sconce, Jeffrey. “I’ve Got This Strange Feeling…” Tate Etc. 1 (Summer 2004): 88-93. Reprinted in Interviews, Conversations and Chit-Chat (1986-2004). Ed. John C. Welchman. Zurich: JRP/Ringier; Dijon: Les Presses du réel, 2005. 263-273.

“See You at the Velvet Goldmine, Richard Prince Meets Mike Kelley.” Dazed and Confused (Jan. 1999): 116-121. Reprinted in Interviews, Conversations and Chit-Chat (1986-2004). Ed. John C. Welchman. Zurich: JRP/Ringier; Dijon: Les Presses du réel, 2005. 187-198.

Sentinery, Robert. “Mike Kelley: Form and Disfunction.” Zone 3 2 (1994): 13-18.

Smith, Ed. “Mike Kelley.” Shiny 3 (1987).

Smith, Michael, “Mike Talks to Mike About Mike.” High Performance 33 (1986). Reprinted in Interviews, Conversations and Chit-Chat (1986-2004). Ed. John C. Welchman. Zurich: JRP/Ringier; Dijon: Les Presses du réel, 2005. 41-64.

Storr, Robert. “An Interview With Mike Kelley.” Art in America (June 1994): 90-93.

Sylvester, Julie. “Talking Failure.” Parkett 31 (1992): 100-103.

Taylor, Paul. “Interview with Mike Kelley.” Flash Art (Oct. 1990).

Titz, Walter. “Schräges und Schönes.” Kleine Zeitung Online 21 May 2009: np.

Waters, John. “Mike Kelley, You Have Made an Epic!” Flash Art (Nov.-Dec. 2005): 54-58.

Wilder, Chris. “A Dialogue Between Chris Wilder and Mike Kelley.” BE #5: Kunstlerhaus Bethanian (Berlin) 5 (May 1998): 41-53.

Welchman, John C. “On the Beyond: A Conversation between Mike Kelley, Jim Shaw, and John C. Welchman.” Austria: Springer-Verlag/Wien: 2011.

Ed. “Das Unheimliche ist eine sehr flüchtige Erfahrung.” Profil (Austria) 2004: np.

Ed. “So schön wie ein Matisse.” Interview with Focus Magazine. Focus 47 (2007): 112.

Ed. “Speaking Volumes: 19 Interviews.” Art in America Nov. 2006: 190+

 

Film & Video

 

“Skulptur Projekte Munster 07.” Film by Jörg Jung and Ralf Raimo. A contribution of ARD/WDR/3sat. Airing on 3SAT German television, 2007.

“Imagining America: Icons of 20th Century American Art.” Film by John Carlin, Jonathan Friedberg and Hart Perry. Produced by Perry Films and Muse Film and Television Inc. in association with Funny Garbage and Public Media, Inc. Airing on PBS through South Carolina Educational Television, 2005.

“Jack Smith and the Destruction of Atlantis.” Executive Producer, Kenneth Wayne Peralta. Produced and directed by Mary Jordan. Tongue Press, Locusta Penguina and Monk Media, 2005.

“This Not That: John Baldessari; Pionier de Konzeptkunst.” Film by Jan Schmidt-Garre. Produced by PARS Media, coproduced ZDF/3sat and SF-DRS, 2005.

“Memory.” Art 21. Executive Producer Susan Sollins. PBS, 2005.