Black, Ezrha Jean. “Mike Kelley: Gagosian Gallery, Beverly Hills. Artillery 5.4 (Mar/Apr 2011): 70-71.

Drohojowska-Philp, Hunter. “Mike Kelley: Superman’s Harem.” Artnet, Jan 28 2011: np.

Hoffmans, Christiane. “Endzeitstimmung im Einweckglas.” Welt am Sonntag 13 (Germany) 27 Mar 2011: np.

Knight, Christopher. “Arts review: Mike Kelley at Gagosian Gallery.” Los Angeles Times, Jan 20 2011: np.

Stadel, Stephanie. “Supermans Trauma.” K.West (Germany) 04 April 2011: 18-20.



Bankowsky, Jack. “Best of 2010.” Rev. of Judson Church Horse Dance. Artforum. 49.4: 205

Bedford, Christopher. “Mike Kelley: Museum of Contemporary Art Detroit.” Rev. of Mobile Homestead. Artforum. 49.4: 262-263.

Brobeck, Catherine. “West of Rome’s Benefit, Featuring Furries, Bibs, and LA’s Art World Bigwigs.”, July 30, 2010.

Ellegood, Anne. “The Exquisite Corpse is Alive and Well.” Tate Etc. 18 (Spring 2010): 72-79.

Grabner, Michelle. “Mike Kelley and Michael Smith: A Voyage of Growth and Discovery.” X-tra 12.3: 49-53.

Harvey, Doug. “Baby Ain’t Got Back (Yet): Mike Kelley and Baby Ikki wander the desert of the real.” LA Weekly June 25-July 1: 43.

Hirsch, Faye. “Review: Michael Smith and Mike Kelley at Sculpture Center.” Art in America. Nov 2009: np.

Knight, Christopher. “Art Review: Michael Smith & Mike Kelley @ West of Rome,” Los Angeles Times 10 June 2010: np.

Lebowitz, Cathy. “Kelley, Dunham, Breuning.” Lacanian Ink 35: 162-171.

Le Feuvre. Lisa. “If at First You Don’t Succeed… Celebrate.” Tate Etc. 18 (Spring 2010): 31-37.

Levine, Cary. “Manly Crafts: Mike Kelley’s (Oxy)Moronic Gender Bending,” CAA Art Journal 69.1-2 (Spring-Summer 2010): 74-91.

Lopez, Ruth. “Mike Kelley Goes Home Again.” Rev. of Mobile Homestead. The Art Newspaper. October 11, 2010.

Mandl, Dave. “PERFORMA.” Rev. of “A Fantastic World Superimposed on Reality: A Select History of Experimental Music.” Wire 311 (Jan 2010): 80.

Nickas, Bob. “Traces of Soho Past.” Vice 17.3: 74-81.

Plagens, Peter. “Production Values,” Rev. of Horizontal Tacking Shots. Art in America. January 2010: 41-42.

Taft, Catherine. “Growing Pains” Rev. of West of Rome Art Benefit., August 3, 2010. <>

Velasco, David. “Dance: Best of 2010.” Rev. of Judson Church Horse Dance. Artforum. 49.4 (December 2010): 69.

“Mike Kelley and Baby Ikki go to Burning Man.” For Your Art. 3.2 (Apr-May 2010): 6-7.

“Top Ten.” Rev. of Day is Done Judson Church Horse Dance. Artforum. 48.8 (April 2010): 95.



Acevedo, Carla. “New York: Michael Smith and Mike Kelley at Sculpture Center.” DaWire 20 Sept 2009: np. <>

Adolphe, Jean-Marc. “L’école de tous les savoirs.” Mouvement 53 (Oct-Dec 2009): 106.

Bors, Chris. “Mike Kelley and Micahel Smith: A Voyage of Growth and Discovery.” ArtReview Dec 2009: np. <>

Diedrich Diederichsen. “Polyphilo’s Dream.” Freize 122 (Apr 2009): 90.

Ed., “The Power 100,” Art Review, November 2009, p. 88.

Goldstein, Andrew. “Recession-Addled Art World Weighs Return to Barter System at Group Show.” Rev. of Regift. New York Magazine 18 Feb 2009: np.

Groys, Boris. “Postproduction Berlin.” Lettre International 86: 38.

Guillaume Leingre. “Détruire Tous Les Monstres: Mike Kelley et la photographie.” M19 0.3: 98-127.

Jahn, Jeff. “Mike Kelley and Michael Smith at Sculpture Center.” PORT Portland Art News 21 Sept 2009: np. <>

Johnson, Ken. “Those are Grown-Up Laughs for a Big Baby.” The New York Times 17 Sept 2009: np.

Johnson, Paddy. “Man Dresses Like Baby at Burning Man, No One Shocked.” Rev. of “A Voyage of Growth and Discovery.” The L Magazine 28 Sept 2009: np.

Kocken, Oscar. “Oog in Oog.” Mister Motley 23 nd: 66-67.

Konigsburg, Eric. “Culture Warriors’ (Serious) Fun House.” The New York Times 27 Sept 2009: A8.

Licht, Alan. “Mike Kelley and Michael Smith.” Rev. of A Voyage of Growth and Discovery. Artforum Dec 2009: 220-223.

McLaren, Malcolm. “The Diary: Malcom McLaren.” Rev. of A Voyage of Growth and Discovery. 26 Sept 2009: np. <>

Moniot, Marie-Adele. “Mike Kelley and Michael Smith.” Rev. of A Voyage of Growth and Discovery. Art Lies 64 Winter 2009: 104.

Neset, Anne Hilde. “Performa 09: Atrocity Exhibition.” Wire: Adventures in Modern Music nd: np.

Rickels, Laurence A. “Lonely Ghosts: On the Sense and Direction of “Reenactment.” Texte Zur Kunst 17 76 (December 2009): 68-82. Printed in English: 119-126.

Schachinger, Christian. “Pornos in der Hüpfburg.” Der Standard Online 25 July 2009: np.

Schmid, Michael. “Pop hat sich su Tode gesiegt.” FM4 Online. 7 July 2009: np.

Scott, Andrea K. “Baby’s on fire.” The New Yorker. 26 Oct 2009: np.

Smith, Roberta. “Performa 09: Mike Kelley’s Extracurricular Activity.” New York Times ArtsBeat. 19 Nov 2009: np.

Stern, Steven. “Mike Kelley & Michael Smith.” Rev. of A Voyage of Growth and Discovery. Freize. 12 Sept 2009: np.

Yablonsky, Linda. “Performa 09: Double Trouble.” New York Times ArtsBeat. 20 Nov 2009: np.+



Fleming, Marnie. “Marnie Fleming on Mike Kelley’s Kandors.” Prefix Photo 9:2: 42-45.

Fontana, Emi. “All Together Now: “The Baby” al Burning Man.” Rev. of Mike Smith and Mike Kelley performance at Burning Man. Rolling Stone (Italy) December 2008.

Knight, Christopher. “Tale of the Tape.” Rev. of California Video. Los Angeles Times 18 Mar 2008: E1.

Knight, Christopher. “Extraterrestrial Earthlings find ‘Life.’ Rev. of Life on Mars: Carnegie Museum 55th International. Los Angeles Times 7 May 2008. E:1, 6.

Musial, Patrycie. Krakow Gazeta. Rev. of Kandors. Oct 4 2008: 13.

Pontégnie, Anne. “Mike Kelley.” Beaux Arts Éditions, Que’st-ce que L’art Vidéo Aujourd’hui. 2008: 24-25, 128-129.

Schlaegel, Andreas. “Supermans Sehnsucht.” Rev. of Kandors, Kandor-Con 2000. Spike 14.4 (Winter 2007): 104.

Shaw, Kurt. “Out of this world.” Rev. of Life on Mars. Pittsburgh Tribune-Review. 1 May 2008.

Styrie, Hanna. “Blubbernder Heimatplanet.” Rev. of Kandors. Kölnische Rundschau 21 May 2008: 42.

Trembley, Nicholas. “Strange Brew.” Rev. of Educational Complex Onwards 1995-2008 opening. Artforum. Apr 14 2008: np.

Rottmann, André. “Mike Kelley.” Rev. of Kandors. Artforum 46.5 (Jan. 2008).

Yablonksy, Linda. “Ready Maid.” Rev. of Kelley, McCarthy, Nakahara performance. Artforum. Aug 23 2008: np.

Ed. “Archeologie des profondeurs. Autour d’une installation de Mike Kelley.” Rev. of Profodeurs vertes. Cinéma & Cie 10 Spring 2008: 63.

Ed. “The Encyclopedia of Modern & Contemporary Art.” Bijutso Techo 60.4 Apr 2008: 104.

Ed. “Groter dan het leven.” Metropolis M. 4 Aug 2008: 51.

Ed. “Mike Kelley.” Beau Arts Magazine: 128.

Ed. “Mike Kelley.” Rev. of Wako Works of Art: 15 Years / Part IV. EyesCream (Japan) Dec 08: 55.

Ed. “Mike Kelley: Yummy Puffy Mommy Yoni.” Beurs Berichten (Amsterdam) 7 Dec 2008: 10.



Ackermann, Tim. “Mike Kelley und Supermans Haimat in Flaschen.” Rev. of Kandors. Welt Online (30 Sept. 2007). < >

Aichinger, Eric. “Mike Kelley in der Jablonka Galerie: Berlin: Stadt der zukunft von gestern.” Rev. of Kandors. artnet (1 Oct. 2007). < >

Allen, Jennifer. “Pleasure and Pain.” Artforum 5 (Oct. 2007). <>

Balisz, Justyna. “Pamiec Sumpermana.” Rev. of Kandors. Art Eon 92.12 (Winter 2007): 12-13. <>

Bartels, Daghild. “Mythos Berlin.” Rev. of Kandors. Parnass Kunstmagazin 27:4 (Nov/Dec 2007): 48.

Bush, Kate. “Provisional Authority: Kate Bush on Skulptur Projekte Munster 07.” Artforum (Sept. 2007): 419-423.

Chang, Chris. “Night Has Come: The Warped Space of Mike Kelley’s Day Is Done.” Rev. of Day Is Done. Film Comment 43.5 (Sept./Oct. 2007): 17.

Draxler, Helmut. “Mike Kelleys Allegorie der Realisierten Demokratie: Partizipative Perversion.” Rev. of Petting Zoo. artnet 4 Sept. 2007. <>.

Duijsens, Florian. “Mike Kelley @ Jablonka Galerie.” Rev. of Kandors. Whitehot Magazine (Berlin) <>

Fisch, Ingrid. “Ausmisten und füttern im Dienste der Kunst.” Rev. of Petting Zoo. Die Glocke 9 May 2007.

Gioni, Massimiliano. “Where the Wild Things Are.” Tate Etc 11 (Fall 2007): 34-39.

Jennen, Manuel. “Skulpturen-Kuh kehrt der Kunst den Rücken zu.” Rev. of Petting Zoo. Münstersche Zeitung 29 June 2007.

Kalitschke, Martin and Lukas Speckmann. “Die Kuh hat die Schnauze voll.” Rev. of Petting Zoo. Münstersche Zeitung 29 June 2007.

Kindel, T. and J. Wachtel. “Austellungs-Kuh ght auf Zuschhauer los.” Rev. of Petting Zoo. BILD 30 June 2007.

Kinney, Tulsa. “No Beauty, No Truth.” Rev. of Day is Done. Artillery 1.4 (Mar. 2007): 17.

Kuhn, Nicola. “Mike vom Jupiter.” Rev. Kandors and Kandor Con 2000. Der Tagesspiegel: 6 Oct 2007: 30.

Liebs, Holger. “Mike Kelley.” Rev. of Kandors. Frieze (Dec. 2007): 192.

Mania, Astrid. “Im Gehirn des Supermänner.” Rev. of Kandors. Von Hundert (Nov. 2007): 3-4

Müller, Markus. “Fortress of Plenitude.” Texte zur Kunst 17.68 (Dec. 2007): 246-249.

Müller, Sabine. “Salzsäule im Streichelzoo: Mike Kelleys Tierpavillon am Bahnhof.” Rev. of Petting Zoo. Münstersche Zeitung 25 May 2007.

Nedo, Kito. “Widerstand zwecklos: Atemberaubend: Mike Kelley und seine Rästel-Shau Kandor.” Rev. of Kandors. Berliner Zeitung 3 Oct 2007: 23.

Orden, Abraham. “Münster Minute.” Rev. of Skulptur Projekte Münster 07. artnet Magazine 25 June 2007 <>.

Schlaegel, Andreas. “Mike Kelley: Jablonka Galerie.” Rev. of Kandors, Kandor-Con 2000). Flash Art (Nov./Dec. 2007): 113.

Singerman, Howard. “Extended Caption to Alfred Barr’s History and Mike Kelley’s Entry Way.” Dot Dot Dot 14 (S as in Sstenographer) (Summer 2007): 62-65.

Smolik, Noemi. “Mike Kelley. Kandors.” Rev. of Kandors. EXIT Express 31 (Nov. 2007): 54

Speckmann, Lukas. “Die Salzsäule ruft: Mike Kelleys Streichelzoo treibt Schabernack mit Frau Lot.” Rev. of Petting Zoo. Westfälische Nachrichten (Münster) 26 June 2007.

Strotdrees, Gisbert. “Die kuh hinter dem Parkhaus.” Rev. of Skulptur Projekt Münster 07. Landwirtschaftliches Wochenblatt. 21 June 2007.

Tieke, Kristina. “Zeitreisen in Münster: Mit Charme und Streichelzoo: Die Skulptur Projekte Münster 07 sind eröffnet.” Rev. of Skulptur Projekt Münster 07. Dewezet 23 June 2007.

Weinger, Erin. “Garden Party.” Rev. of Hammer Museum Gala in the Garden. Angeleno (Dec. 2007): 116.

Werneburg, Brigitte. “Der Superman der Kunst: Mike Kellys ‘Kandors’ in der Jablonka Galerie, Berlin.” Rev. of Kandors. Monopol (Nov. 2007): 116.

Wiensowski, Ingeborg. “Häuser in Krakenform” Rev. of Kandors and Kandor Con 2000. SPIEGEL Online 28 Sept. 2007. <>

Willis, Holly. “Variety Show: Mike Kelley’s Day Is Done.” L.A. Weekly 19-25 Jan. 2007: 58-59.

Volk, Gregory. “The Expanded Field: Münster’s Lastest Decade.” Art in America. Oct. 2007: 168-9.

Young, Paul. “A Video Portrait’s Odd Inspiration.” Los Angeles Times 20 Jan. 2007.

“Kuh ist Kunstobjekt: Bünings Tiere sind bei ‘Skulptur-Projekte Münster 2007’ zu sehen.” Westfälische Nachrichten (Münster) 23 June 2007.

“Love of art, fashion on exhibit at Hammer gala.” Los Angeles Times 21 Oct. 2007. <>

“Vorsicht vor dem Streichelzoo: Köpfe der Skulptur: Mike Kelley” Rev. of Petting Zoo. Westfälische Nachrichten (Münster) 9 May 2007.



Allen, Jennifer. “International News Digest: Mike Kelley at the Louvre.” Artforum 11 April 2006. <>

Aletti Vince. “No-Name Game.” Rev. of Vaseline Muses. The New Yorker. 16 Oct 2006: 16.

Amy, Michaël. “Meike Kelley at Gagosian Gallery.” Tema Celeste Mar. 2006: np.

Bailly, Bérénice and Philippe Dagen. “Les references multiples de Kelley.” Rev. of Profondeurs Vertes. Le Monde 18 June 2006.

Coley, Byron and Thurston Moore. “Bull Tongue: Top 80 (+1) of 2005.” Arthur March 2006: 51. <>

Hainley, Bruce. “Artquake.” The New York Times. 1 Oct 2006. <>

Higgs, Matthew and Peter Eleey. “Looking Back at 2005.” Frieze 96 (Jan.-Feb. 2006): 119.

Géniès, Bernard. “Mike Kelley: Agitateur Culturel.” Le Nouvel Observateur 2159.75 23 Mar. 2006: 6-10.

Maine, Stephen. “Mike Kelley at Gagosian Gallery.” Art in America Mar. 2006: np.

Muchnic, Suzanne. “A Peek at Eli Broad’s L.A. Cache.” Los Angeles Times 3 Dec. 2006.

Pennings, Mark. “Gross Out: Day is Done, Mike Kelley.” Eyeline 60. 2006: np.

Pollack, Barbara. “Mike Kelley at Gagosian Gallery.” Rev. of Day is Done. Art News Feb 2006: np.

Rochette, Anne, and Wade Saunders. “Place Matters: Los Angeles Sculpture Today.” Art in America (Nov. 2006): 190-191+.

Roussel, Noëllie. “Elsewhere is Everywhere.” Art Press 332 (Apr. 2006): 34-44.

Stern, Steven. “Tomorrow Never Comes.” Frieze 97 (Mar. 2006): 112-119.

Vidler, Anthony. “Deep Space/Repressed Memory: Mike Kelley’s Educational Complex.” Block 02 (Control) (Summer 2006): 44-55.

Vogel, Carol. “Art Auctions Conclude with A Whimper.” New York Times 17 Nov. 2006.

Ward, Ossian, with J.J.Charlesworth. “The Power 100: 2006.” Art Review 05 (Nov. 2006): 55-137.

Waters, John. “Mike Kelley: You Have Made an Epic!” Flash Art 245 (Nov.-Dec. 2005): 54-58.

Welchman, John C. “Qualities, Being Hidden: John C. Welchman Interviews Mike Kelley.” Bidoun (Arts and Culture from the Middle East) (Fall 2006): 16-120.

Winston, Helena. “Mike Kelley.” Rev. of Day is Done. Art US 12 (Mar.-Apr. 2006): 52.

Zimmerman, Aaron. “Mike Kelley After School.” Zoo 11: np.



Chiodi, Stefano. “Arte, la malinconia del campionare.” Alias 6 (Aug. 2005).

Fox, Dan. “All Tomorrow’s Parties.” Rev. of Destroy All Monsters at ‘The Nightmare Before Christmas.’ Frieze (Mar. 2005): 79.

Kimmelman, Michael. “Adults Playing Children’s Scary Games.” New York Times Weekend Arts 25 Nov. 2005: B35+.

Lewis, Jim. “Mike Kelley: The Last Great 20th Century Artist.” 30 Nov. 2005 <>.

Mitrovic, Sinisa. “I Am the Wrath of God,” Corvi-Mora 2005.

Roussel, Noëllie. “Das Unheimliche: Le Retour du refoulé chez les mangeurs de mozartkrügein, ou les aventures de Mike Kelley au pays du docteur Sigmund.” We Are Best Friends And We Are In Love And it’s great: Pacemaker 6, 2005

Saltz, Jerry. “Clusterfuck Aesthetics,” The Village Voice. 29 Nov 2005.

Smith, Dan. “London: MOT; I Am the Wrath of God,” Contempart 2005.

Trembley, Nicolas. “Blagues à l’âme.” Interview (Dec. 2004 – Jan. 2005): 46-49.

Welchman, John C., and Mike Kelley. “A 1000 Words: Mike Kelley Talks About Day Is Done.” Artforum (Oct. 2005): 233-235.

Welchman, John C. “Day Is Done: The False, the Real, and the Memory in Mike Kelley’s Thirty-Two Stations.” Flash Art 245 (Nov.-Dec. 2005): 59-61.



Borchhardt-Birbaumer, Brigitte. “Die abgründige Liebe zum Skulpturalen und Absonderlichen.” Wiener Zeitung 11 Aug 2004: np.

Breerette, Geneviève. “Mike Kelley: l’irréductible.” Le Monde 3 Dec. 2004.

de Brugerolles, Marie. “Foul Perfection: Essays and Criticism.”Art Press (2004): 66.

Buchhart, Dieter. “Mike Kelley: Das Unheimliche – Eine Austellung als Kunstwerk.” Kunstforum 172 Sept. 2004: 374-5.

Cherubini, Laura. “Mike Kelley: Galleria Emi Fontana.” Tema Celeste January/February 2004: 107.

Farber, Jim. “MOCA exhibit focuses on dark side of American Dream.” Rev. of Street Credibility. Daily Breeze 30 Jan. 2004.

Farquharson, Alex. “The Uncanny.” Frieze (May 2004): 90-91.

Favre, Jeff. “What’s going down in LA: The Year of Arbus.” Ventura County Star. 5 Feb 2004: 45+.

Friedrich, Kristin. “Get on the Arbus: ‘Street Credibility’ Gives Documentary Photography Context.” LA Downtown News 19 Jan 2004: np.

Gottlieb, Shirley. “When You’re Strange.” Rev. of Street Credibility. U Press-Telegram 30 Jan. 2004.

Harvey, Doug. “Making Believe for Real: The Revelations of Diane Arbus.” L.A. Weekly 27 Feb-4 Mar. 2004: 32-35.

Herbert, Martin. “I Am the Wrath of God.” Time Out London 8-15 Sept. 2004: 49.

Horney, Henriette. “Quer durch die Lager.” Rev. of The Uncanny. Kurier 16 July 2004: np.

Huber, Cristoph. “Durch die Alptraum-Straße.” Die Presse 17 July 2004: 29.

Janus, Elizabeth. “Mike Kelley: Galleria Emi Fontana.” Artforum April 2004: 167.

Jones, Leslie. “Street Credibility-Artist Mike Kelley Curates a Photography Exhibition at Los Angeles MOCA.” Art on Paper (May-June 2004): 70-73.

Károly, Kókai. “Das Unheimliche.” Balkon July 2004: 23-25.

Key, Phillip. “An Uncanny Encounter With Art.” A.P. Arts (Feb 2004).

Kittel, Walter. “Die Figur als Fetisch?” Rev. of The Uncanny. Deutschlandfunk 23 July 2004: np.

Knight, Christopher. “Photo synthesis.” Rev. of Street Credibility. Los Angeles Times 7 Mar. 2004: np.

Levine, Cary. “A Diderot of the Low.” Rev. of Foul Perfection and Minor Histories. Art in America (Jan. 2004): 39+.

Meyers, Laura. “Artists Blur Reality in Los Angeles Photo Fair.” Art Business (Mar. 2004).

Müller, Vanessa Joan. “Monster’s Ball: The Uncanny von Mike Kelley in der Tate Liverpool.” Texte Zur Kunst: Escape to New York 14.54 (June 2004): 206-208.

Newall, Michael. “Repetition Compulsion: Mike Kelley’s Uncanny Reanimated.” Broadsheet (2004): 38-40.

Niegelhell, Franz. “Das Zauberreich des Unheimlichen.” Der Standard 17-18 July 2004: 25.

Prime, Rebecca. “MOCA Goes for Street Cred.” Photo District News (New York) (Apr. 2004).

Rebhandl, Bert. “Die Geisterstunde des Mike Kelley.” Rev. of The Uncanny. MQ 7.18 June 2004: np.

Rosen, Steve. “A long way from Main Street.” Rev. of Street Credibility. Woodland Hills Daily 2 Feb 2004: np.

Searle, Adrian. “Inside the Mind of an Insane Collector.” The Guardian 14 Feb. 2004: 12-13.

Spiegler, Almuth. “Wahn des wieder Erkennens.” Rev. of The Uncanny. Die Presse 17 July 2004: 29.

Storr, Robert. “What’s Not to Like?: Robert Storr on Mike Kelley.” Artforum (Oct. 2004): 263-265+.

Tumlir, Jan. “Jan Tumlir on Destroy All Monsters.” Artforum (Oct. 2004): 85-86+.

Vettese, Angela. “Il quadro è epeccato.” Rev. of Mike Kelley: Galleria Emi Fontana. Vernissage 4.43 Nov. 2004: 14.

Vogel, Carol. “An Appropriate Finale for a 9.2 Million Auction.” New York Times 9 Nov. 2004.

Ed. “Artist’s Writings / Foul Perfection: Essays and Criticism.” Modern Painters 1 Dec. 2003: 141-42.

Ed. “Get on the Arbus.” Los Angeles Downtown 19 Jan. 2004 <>.

Ed. “Die lieben kleinen Monster.” Rev. of The Uncanny. AD (Architectural Digest) (Germany) 51 (July 2004): np.

Ed. “Make Yourself at Home. Memory Ware, Carpet, Woodgrain at Emi Fontana” State of the Art (2004).

Mister Motley & Zijn Schaduw (Amsterdam) 4 (2004): 73.

Ed. “Street Credibility.” Art Now Gallery Guide (Jan 2004).



Ardenne, Paul. Art Press-Édition Spéciale, Biennale D’Art Contemporain De Lyon 2003: 10.

Conti, Riccardo. “Mike Kelley: Milano, Galleria Emi Fontana.” Exibart Oct. 27 2003. <>

Danto, Arthur, C., Isabelle Graw, Thierry de Duve, David Joselit, Yves-Alain Bois, David Reed, and Elizabeth Sussman. “The Mourning After.” Artforum 40th Anniversary Issue, The 1980’s: Part One Mar. 2003: 208.

De Angelis Testa, Gemma. “I clown tristi del circo Americano.” Rev. of Mike Kelley: Galleria Emi Fontana. Le Gionale dell’Arte 226. Nov. 2003: 80.

Diederichsen, Diedrich. “A Fan’s Notes: Diedrich Diederichsen on Mike Kelley’s Writings.” Artforum 41.5 Jan. 2003: 33-34.

Falguirès, Patricia. “Artists Curate: Bernard Frize.“ Artforum 41.6 Feb. 2003: 118-123.

Harris, Mark. “Mike Kelley and Tony Oursler.” Rev. of The Poetics Project. Art Monthly July 2003: np.

Harvey, Doug. “Don’t Look Back: Mike Kelley’s Proposal.” LA Weekly: 25 Years 25.3 2003: 68.

Kent, Sarah. “Rhyme scheme.” Rev. of The Poetics Project. Time Out London 4 June 2003: np.

Leffingwell, Edward. “Mike Kelley at Metro Pictures.” Art in America Apr. 2003: 134.

Pasini, Francesca. “I Fantastici Quattro.” Rev. of Mike Kelley: Galleria Emi Fontana. Linus 34.11 Nov 2003: 82-84.

Vettese, Angela. “Il quadro è peccato” Rev. of Mike Kelley: Galleria Emi Fontana. Vernissage 43.4 Nov. 2003: 14.

Welchman, John C. “Provisorische Massnahmen: Mike Kelley als Autor.” Texte Zur Kunst, 13.5 Sept. 2003: 126 -131.

Ed. “If you put two talents together, will the works that result be twice as good?” The Sunday Times Culture Magazine. 18 May 2003: np.



Chapuis, Yvane. “Mike Kelley: The Body General.” artpress 282 (Sept. 2002): 36-40.

Dzuverovic-Russell, Lina. “Sonic Process: A New Geography of Sounds.” Artforum 40.4 (Dec. 2002): 134.

Hainley, Bruce. “Mike Kelley.” Artforum 40.2 (Oct. 2002):150.

Harvey, Doug. “Digging the Dirt: Mike Kelley, relentlessly.” LA Weekly 15-23 May 2002.

Israel, Nico. “Tribal Counsel.” Artforum 40.5 (Jan. 2002): 47-48.

Kelsey, John. “Mike Kelley: Reversals, Recyclings, Completions, and Late Additions.” Time Out 374 Nov. 28 – Dec. 5 2002.

Knight, Christopher. “Dredging Up a Sense of Adolescent Place.” Los Angeles Times 17 May 2002: F26.

LaBelle, Charles. “Mike Kelley.” Frieze 69 (Sept.2002): 102-3.

Summers, Francis. “Hungry for Death?” Untitled 28 (Summer 2002): 16-19.

“Obscured Visions: ‘Eye Infection’ Artforum talks with Mike Kelley, Introduction by Robert Storr.” Artforum 40.5 (Mar. 2002): 114-119.



Chomin, Linda Ann. “Visions of Detroit: Artists take on the city.” Plymouth Observer. 11 Nov. 2001: C1+.

Colby, Joy Hakanson. “Rediscovered Treasures.” The Detroit News 17 Oct. 2001: D1-D2.

Gellatly, Andrew. “Apocalypse.” Frieze 4 (Mar. 2001): 95-96.

Green, Roger. “‘Artists Take On Detroit’ in homegrown DIA show.” The Ann Arbor News 2001: D6.

Haddad, Natalie. “Here and Then: Mike Kelley joins DIA for the Artists Take of Detroit.” Real Detroit Weekly 14 Nov. 2001: 18.

Kothenschulte, Daniel. “Es wird noch alles gold, was glanzt.” Stadt Kebre 7 (Cologne, Germany) 1 July 2001.

Kothensculte, Daniel. “Für die Elster in uns: Mike Kelleys buntschillernde Memory Ware in Köln.” Frankfurter Rundschau 19 June 2001: 139.

Leibowitz, Ed. “Highs and Lows: Between the Covers with Publisher Benedikt Taschen.” Buzz (Sept. 2001): 39-42.

Lipsyte, Sam. “Mat Finish.” Artforum Dec. 2001: np.

Provencano, Frank. “Portraits of Detroit.” Rev. of Artists Take on Detroit. Detroit Free Press 21 Oct 2001: 1F+.

Roos, Renate. “Kelley’s Memory.” Kölner Stadt Anzeiger 30 June – 1 July 2001: 149.



Bacenas, Tracy. “Consolation Prize: John Miller and Mike Kelley.” inFLUX 15.4 (Feb 2000): 26.

Bellet, Harry. “The Poetics Project, avec le temps.” Le Monde 4 Jan. 2000: 36.

Breerette, Geneviève. “Séduire ou déplaire.” Le Monde 6 Nov. 2000: 25.

Burn, Gordon. “Art imitating death.” Life: The Observer Magazine 11 Sept. 2000: 30-37.

Casadio, Mariuccia. “Mike Kelley.” L’uomo Vogue (Milan) 313 (Sept.2000).

Di Genova, Arianna. “Viaggio nel forno (Travel in the oven).” Amica. 7 June 2000: 22.

Fulcheri, Fabienne. “Des barbeles sur la prairie.” Mouvement (Feb.-Mar. 2000): 46-49.

Gopnick, Blake. “One bright idea amid the dross.” Rev. of Fresh Acconci. The Globe and Mail (Toronto) (5 Apr. 2000): R3.

Hume, Christopher. “Testing the limis of taste.” The Toronto Star (23 Mar. 2000): np.

Kihm, Cristophe. “Mike Kelley, Fraz West: Frac Poitou-Charentes.” Artpress 257 (May 2000): 79-80.

Lequeux, Emmanuelle and Olivier Nuc. “Une forme essentiellle de contre-esthétique.” Aden (18 Jan. 2000): np.

Lindgaard, Jade. “Experimental jet-set, trash and pop-stars.” Les Inrockuptibles (25 Jan. 2000): np.

Lütticken, Sven. “De impertieven van de audiogids.” De Witte Raaf 88 (Nov. 2000): 9.

Milroy, Sarah. “That’s not funny, that’s sick – or is it?” Rev. of Heidi: Midlife Crisis. National Post (Toronto) (8 Apr. 2000): E6.

Pecoil, Vincent. “I Rip You, You Rip Me.” Documents Sur L’Art 12 (2000): 108-115.

Perrella, Cristiana. “Mike Kelley, l’estetica del rifiuto.” il manifesto 22 July 2000: 15.

Poli, Francesco. “Mike Kelley.” Tema Celeste 82 (Oct.-Dec. 2000): 80+.

Pouncey, Edwin. “Multi Media: Edwin Pouncey decodes the sex-trash art of Mike Kelley.” The Wire (Feb. 2000): np.

Régnier, Philippe. “Mike Kelley et Franz West: l’art à haute voix.” Le Journale des Arts 103 (27 Apr. 2000): np.

Ruhle, Alex. “Der geheime Satz der Kaffeemaschine.” Suddeutsche Zeitung 134 (13 June 2000): 18.

Scott, Michael. “Shocking Stuff.” Vancouver Sun (22 Jan. 2000): np.

Thomsett, Mia. “Consolation Prize: John Miller and Mike Kelley.” inFLUX 15.4 (Feb 2000): 28.

White, Ryan. “Consolation Prize: John Miller and Mike Kelley.” inFLUX 15.4 (Feb 2000): 27.

Ed. “Die 100 Größten: Kunst Kompass” Capital 23 (15 Nov. 2000): 221.



Aupetitallot, Yves. “Mike Kelley: Le Magasin.” Artpress (Oct. 1999): 14-17.

Berger, Andreas. “Das sexualle Leben der Kuscheltiere.” Braunschweiger Zeitung 3 Sept. 1999.

Breerette, Genvieve. “Les trompe-l’oeil multimedias de Mike Kelley, Californien jubilatoire.” Le Monde (French) 25 Oct. 1999: 26.

Glueck, Grace. “Mike Kelley: Metro Pictures.” New York Times 16 Apr. 1999: B35.

Levin, Kim. “Mike Kelley.” The Village Voice 27 Apr. 1999: 82.

Marignac, Thierry. “Art, Craft, Sex, and Man.” Omnibus (Oct. 1999): 2-3.

Miles, Christopher. “Mike Kelley at Patrick Painter Inc.” Artforum (Apr. 1999): 127.

Pieters, Rudy. “Sofakunst en overschotjes.” CafédesArts 18 Dec. 1999.

Peter, Sascha. “Sex to Sexty.” Subway (Oct. 1999).

Shulman, Dave. “What Makes the Worm Growl: Mike Kelley’s Health Plan.” L.A. Weekly 22-28 Jan.1999: 39.

Shaheri, Tami. “Seattle Museum Seeks Creative Murderer.” 6 May 1999 <>.

Winter, Peter. “Folterkammern fur Schmuddlekinder.” FAZ (Germany) 14 Oct. 1999.

Ed. “Mike Kelley.” The New Yorker 26 Apr. 1999: 22-23.

Ed. “Horror im Kinderzimmer.” Der Spiegel (Germany) 6 Sept. 1999: 250-51.



Crawford, Ashley. “Monster Men.” World Art (Winter 1998): 28-31.

Dziewior, Yilmaz. “Mike Kelley.” Artforum (Dec. 1998): 139.

Harvey, Doug. “Mike Kelley and Tony Oursler at Patrick Painter.” L.A. Weekly 9-15 Jan. 1998: 39.

Heiser, Jörg. “Mike Kelley.” Frieze 43 (Nov. 1998): 82-83.

MacInnis, Michael. “Probing the Poetics.” Flatiron News (Spring 1998): 55.

McCormick, Carlo. “Mike Kelley.” Juxtapoz (Fall 1998): 48-49.

Schwendener, Martha. “Mike Kelley.” Time Out (New York) 25 June-2 July 1998: 58.

Shamash, Diane. “A History Lesson.” Art in America (Oct.1998): 112-115.

Ed. “Labyrinth voll spitzer Stein.” Kolner Stadt-Anzeiger 19 July 1998: 40.

Ed. “Tips und Termine.” Kolner Anzeiger 24 July 1998.

Ed. “Uberraschung im Kunst-Tunnel.” Express Kulture 11 June 1998.



Birnbaum, Daniel. “Ajö smä vänner.” Dagens Nyheter (Sweden) (Apr. 29 1997): np.

Boije af Gennäs, Staffan. “Mike Kelley Retrospective at Rooseum Malmö: Incidents During Intrplanetary Picnics.” Material 32 (Spring 1997): 11.

Borràs, Maria Lluïsa. “La voz de los desprovistos de derechos.” Vanguardia (Brazil) 24 Jan. 1997: np.

Duncan, Michael. “Cultic Crossover: Mike Kelley in Barcelona.” LA Weekly 14 Mar. 1997: 31

Frisach, Montse. “Mike Kelley: ‘No veig diferència entre anar a un concert de rock o a un museu.’” AVUI Divendres (Brazil) (24 January 1997): np.

Giralt-Miracle, Daniel. “Mike Kelley, Made in USA.” A B C de las artes (Brazil) (7 Feb. 1997): np.

Goldman, Robert. “Artist’s Diary.” artnet Magazine (Apr. 1997) <http://www.>.

el Guayobreo, Óscar. “Mike Kelley: Alienígenas y peluches.” Teatro/Arte (Brazil) (Mar. 1997: 26.

Halle, Howard. “Four on the Floor.” Time Out (New York) 17-24 Apr. 1997: 41.

Hägred, Per. “Kelendern: Gosedjur MC 5 Mike Kelley.” Kvällsposten (Sweden) (Apr. 25 1997): 14-15.

Hapgood, Susan. “‘Shit’ at Baron/Boisnate.” Art in America (Mar. 1997): 109-110.

Hidenaga, Ohtori. “The Twentieth Century Polyphonic Art Theatre.” Weekly Yasahigraph (Japan) 2.21: 46-49.

Kandel, Susan. “Poetics Project Relives Group’s Heady Days.” Los Angeles Times 12 Dec. 1997: F28.

Knight, Christopher. “Look Out World, Here They Come.” Los Angeles Times 3 Mar. 1997: 63-64.

Kozloff, Max. “Sunshine and Noir: Art in LA, 1960-1997.” Artforum (Nov. 1997): 110-111.

Krauss, Rosalind, and Helen Molesworth. “The Good, the Bad, and the Ugly.” Documents 8 (1997): 47-52.

Kyander, Pontus. “Välkommen till Kelleys grotta.” Sydsvenskan (Sweden) (29 Apr. 1997): np.

Lyttelton, Celia, and Waldemar Januszczak. The Now Art Book. Tokyo: Shiseido and Korinsha Press & Co., Ltd., 1996.

Pecoil, Vincent. “Mike Kelley, A Minor Art.” Documents sur l’art (Fall 1997): 125-135.

Rimanelli, David. “A/drift.” Artforum (Feb. 1997): 83.

Rubin, Birgitta. “Anarkist I blåställ.” Dagens Nyheter (Sweden) (Apr. 27 1997): np

Schön, Margaretha. “Solkiga kramdjur i en förload tid.” Svenska Dagbladet (Sweden) (Apr. 26 1997): np.

Serra, Catalina. “El Macba ehibe el arte ‘adolescente’ del creador estadounidense Mike Kelley.” El Pais (Brazil) 24 Jan 1997: np.

Spiegel, Olga. “El Macba presenta la primera retrospectiva española de Mike Kelley.” La Vanguardia (Brazil) 24 Jan. 1997: np.

Ed. “Mike Kelley I Introversiona al MACBA.” La veu de Ciutat Vella (Brazil) (Feb. 1997): np.

Ed. “Special Feature: Mike Kelley and the L.A. Art Scene.” B.T. Monthly Art Magazine (Feb. 1997): 16-80.



Blom, Ina. “Mike Kelley.” Material (Stockholm) 28 (1996): 11-12.

Chapman, Jake, and Dinos Chapman. “Jake & Dinos Fine Arts Inc.” Dazed & Confused 16 (1996): 78-88.

Drohojowska, Hunter. “L.A.’s Kunstler auf der Jagd nach dem Teen Spirit.” Kunstforum 134 (May 1996): 194-198.

Donohue, Marlena. “In the Studio: Mike Kelley.” Sculpture (Apr. 1996): 8-9.

Foster, Hal. “Obscene, Abject, Traumatic.” October 78 (Fall 1996): 107-124.

Hindry, Ann. “Operating with the ‘Informe.’” Art Press 213 (May 1996): 34-41.

Krauss, Rosalind. “Informe Without Conclusion.” October 78 (Fall 1996): 86-105.

Lunenfeld, Peter. “Technofornia.” Flash Art (Mar.-Apr.1996): 69-71.

Min, Nishihara. “Art Mix.” Designers’ Workshop 13.85 (Japan) (Dec. 1996): 110.

Van de Walle, Mark. “Mike Kelley.” Artforum (Jan. 1996): 81.

Wlodarski, Lisa. “Playtime (Sort Of).” The Advocate & Greenwich Time 7 Jan. 1996: D3-4.

Zimmerman, William. “No Simple Innocence, Childhood Now Invoked Has More in Tow.” New York Times 21 Jan. 1996: CN-16.



Albig, Von Jorg-Uwe. “Mike Kelley.” Art (Apr. 1995): 78-85.

Dahlqvist, Dennis. “Har.” Expressen 28 Dec. 1995: 5.

Czöppan, Gabi. “Ruppiges Kellerkind auf künstlichem.” Focus 7 (German) (13 Feb. 1995): np.

Greene, David A. “Mike Kelley.” Los Angeles Reader 24 Feb. 1995.

Holert, Tom “Mike Kelley: Vater, Lehrer, Kind.” Texte Zur Kunst 18 (May 1995): 95+. Reprinted in Une Anthologie de la revue Texte zur Kunst de 1990 à 1998. Eds. Catherine Chevalier and Andreas Fohr. Dijon: Les Presses du Réel, 2010.

Howard, Halle. “School Daze: Mike Kelley’s Class Struggle.” Time Out (New York) 1-8 Nov. 1995: 24.

Jorg, Von, and Uwe Albig. “Mike Kelley—ein Kunstler bekampft die Romantik.” Art (Apr. 1995): 78-85.

Kimmelman, Michael. “Mike Kelley.” New York Times 24 Nov. 1995.

Kothenschulte, Daniel. “Memories are Made of This.” Stadt Revue (Mar. 1995): 140-1.

Kummer, Tom. “Der Schreck der Kusheltiere.” Süddeutsche Zeitung Magazin 10 Feb. 1995: 18-23.

Meixner, Christine. “Späte Rache an denen, die ein stares Konzept vorgaben.” Kölner Stadt-Anzeiger 41 (14 Feb. 1995): 26.

Miro, Marsha. “Destroy all Preconceptions.” Detroit Free Press 16 Oct. 1995: G1+.

Poschardt, Ulf. “Der Ordnungswuter.” Deutsch Vogue (Mar. 1995): 252-255.

Schutz, Heinz. “Mike Kelley, Katholische Vorleiben, Haus de Kunst, Munchen.” Kunstforum 130 (May-July 1995): 371-74.

Schjeldahl, Peter. “More Dirty Looks.” The Village Voice 7 Nov. 1995: 81.

Steiger, Walter. “What is Art?” Le Millenium (Spring-Summer 1995).

Stephen, Gary. “Mike Kelley.” The New York Art Intelligencer 1 (Fall 1995): 18.

Sussman, Elizabeth. “Mike Kelley.” Art in America (Jan.-Feb. 1995).

Ed. “Mike Kelley.” The New Yorker 20 Nov. 1995: 24.



Calhoon, Sharon L. “Art and the Notorious.” Dialogue (Sept.-Oct. 1993): 14-15.

Clearwater, Bonnie. “Arrested Childhood.” Art Press 197 (Dec. 1994): 33-40.

Decter, Joshua. “Stupidity as Destiny: American Idiot Culture.” Flash Art 27.178 (Oct. 1994): 73-76.

Duncan, Michael. “Kelley’s Junk Shop Pop.” Art in America (June 1994): 84-89.

Graaf, Vera. “Den Verv der Zeit Getroffen.” Sudelin Zeit 4 (1994).

Indiana, Gary. “Wiretap: A Walk through the Whitney, or What We Really Say When We Talk about Art.” Artforum (Mar. 1994): 70-73.

Knight, Christopher. “Nothing Like a Little Enlightened Impurity.” Los Angeles Times 1 July 1994: F1+.

_______. “Two Artists and the Meaning of Identity.” Los Angeles Times Calendar 21 Aug. 1994: 58+.

Kohen, Helen L. “Art Review (Arrested Childhood).” The Herald 22 May 1994: 11.

Lewis, Jim. “Mike Kelley.” Texte zur Kunst (1994): 32-35.

Myers, Terry R. “The Mike Kelley Problem.” New Art Examiner (Summer 1994): 24-29.

Pagel, David. “Mike Kelley.” Art Issues (Sept.-Oct. 1994): 50.

Rimanelli, David. “More Art Hours Than Can Ever Be Repaid.” Frieze (Jan.-Feb. 1994): 16-21.

Sussman, Elizabeth. “Mike Kelley: Operaio Anarchico del Midwest.” Flash Art 186 (1994): 15-22.

Ward, Frazer. “Abject Lessons.” Art + Text 48 (May 1994): 46-51.

Welchman, John C. “Mike Kelley.” Art + Text 48 (May 1994): 79.

Weissman, Benjamin. “Crashing through Id-land.” L.A. Weekly 22-28 July 1994: 31-32.

Wylie, Charles. “‘It’s a Tough World Out There’: Drawings by Mike Kelley, Joyce Pensato and Raymond Pettibon.” The Print Collector’s Newsletter 25.5 (Nov.-Dec. 1994).

Ziegler, Ulf Erdmann. “Die Verschlusselten Knuddeltiere.” Die Zeit 14 Jan. 1994: 53.



Avgikos, Jan. “Mike Kelley, Metro Pictures.” Artforum (Mar. 1993): 92-93.

Breslauer, Jan. “Mister Mike.” Vanity Fair (Dec. 1993): 87.

Cameron, Dan. “The Apocalyptic Vulgarian.” Art & Auction (Nov. 1993): 90-94.

Curtis, Cathy. “On Drawing: Get the Point.” Los Angeles Times (Orange County Edition) 27 Apr. 1993: F1-2.

Czöppan, Gabi. “Kunst-Prospect 1993: Austteiger des Jahres.” Focus 27 (German) (July 1993): 63.”

Duncan, Michael. “L.A. The Dark Side.” Art in America (Mar. 1993): 41-43.

_______. “Kelley’s Junk-shop Pop.” Art in America (June 1993): 85-89.

Ferguson, William. “It’s the Context, Stupid.” Esquire (Dec 1993): 36.

Fortes, Marcia. “Patologia do inconsciente Americano.” Journal Do Brasil 8 Nov 1993: np.

Heath, Chris. “Artful Dodgers.” Details (Nov. 1993): 118-123+.

Hess, Elizabeth. “Stolen Cookies.” The Village Voice 16 Nov. 1995: 111.

Hughes, Robert. “Dolls and Discontents.” Time 6 Dec. 1993: 85.

Joo, Michael. “Mike Kelley, Metro Pictures.” Flash Art 26.169 (Mar.-Apr. 1993): 82.

Knight, Christopher. “Mike Kelley’s Messy, Underbelly World.” Los Angeles Times 8 Nov. 1993: F1+.

_______. “Crushed by Its Good Intentions.” Los Angeles Times 10 Mar. 1993: F1+.

Kramer, Hilton. “Duchamp’s Progeny.” Modern Painter 6.3 (Autumn 1993): 72.

Kremer, Mark. “A Fucked-Up Mirror of Dominant Image Making.” Art Press (Sept. 1993): E5-8.

Lambrecht, Luk. “Sonsbeek ’93.” Flash Art (Oct. 1993): 119.

Larson, Kay. “Valley of the Dolls.” New York 22 Nov. 1993: 87-88.

_______. “What a Long Strange Trip.” New York 22 Mar. 1993: 71-72.

Lipton, Michael. “Rogues’ Gallery.” People 29 Nov. 1993: 67-68.

McKenna, Kristine. “Mike Kelley’s Disturbing Memories.” Art News (Nov. 1993): 150-155.

_______ “The Outlaw Gets Legit.” Los Angeles Times Magazine Dec. 1993: 34-38+.

Morgan, Stuart. “Into the Trees” Frieze (Sept.-Oct. 1993): 22-25.

Princenthal, Nancy. “Going to Extremes, Violence in Contemporary Sculpture.” Sculpture (Mar.-Apr. 1993): 58-61.

_______. “Mike Kelley at Metro Pictures.” Art in America (Apr. 1993): 127.

Schjeldahl, Peter. “Art + Politic Missing: The Pleasure Principle.” The Village Voice 18 Mar. 1993: 34+.

Smith, Roberta. “A Whitney Biennial with a Social Conscience.” New York Times 5 Mar. 1993: C1+.

_______. “Mike Kelley’s Messages: Mixed and Emotional.” New York Times 5 Nov. 1993: C33.

Solomon, Deborah. “A Showcase for Political Correctness.” The Wall Street Journal 5 Mar. 1993: A7.

_______. “Portraits of the Artist as Young Loser.” The Wall Street Journal (Nov. 1993): np.

Wallach, Amei. “Art with an Attitude.” New York Newsday 5 Mar. 1993: 52-53.

_______. “Kelley Defies Pleasure.” FanFare 7 Nov. 1993: 21.

Wallis, Brian. “Mike Kelley’s ‘The Uncanny.’” Art in America (Oct.1993): 55.



Adams, Brooks. “Mike Kelley on l’esthetique de l’ echec.” Art Press (June 1992): 32-37.

Baker, Kenneth. “New York: Allegories of Modernism.” Artspace (July-Aug. 1992): 62-63.

Bernardi, David. “The ABC’s of Perversion.” Flash Art (Jan.-Feb. 1992): 126.

Diederichsen, Diedrich. “Yet Another Discovery: Mike Kelley in Video.” Parkett 31 (1992): 77-81.

Drohojowska, Hunter. “Going to a-Gogh-Gogh.” Rev. of “Helter Skelter.” Los Angeles Times Calendar. 1 March (1992): np.

Fairbrother, Trevor. “Mike Fucking Kelley.” Parkett 31 (1992): 64-68.

Francois, Alain-Henri. “Lieux communs, figures singulieres banal.” Voir (Feb. 1992): 16f.

Gardner, Colin. “Helter Skelter at the Temporary Contemporary.” Artforum (Apr. 1992): 103-104.

Grazioli, Elio. “Art ’90: To contain, to tie, to wrap.” Annual Tessuti (1992).

Gorsen, Peter. “Spielerische Umarmung des Lebens.” Rev. of Heidi Mid-life Crisis Trauam Center. Frankfurter Allgemeine Zeitung (3 Dec 1992): np.

Kandel, Susan. “L.A. in Review.” Arts Magazine (Apr. 1992): 98-99.

_______. “Join the Club.” Los Angeles Times 9 July 1992: F5.

_______. “An Art of Darkness at MOCA.” Los Angeles Times 28 Jan. 1992: F1+.

Knight, Christopher. “Mike Kelley.” Los Angeles Times 5 July 1992: 70-71.

Liu, Catherine. “Just Pathetic.” Artforum (Apr. 1992): 95-96.

Marcade, Bernard. “The World’s Bad Breath.” Parkett 31 (1992): 97-99.

McKusik, Tom, and Mike Tronnes. “Pathetic Aesthetic (Does the low frontier of pathetic art signal the end of irony?).” Utne Reader (Nov.-Dec. 1992): 97-103.

Muchnic, Suzanne. “Art in the City of Angels and Demons.” Los Angeles Times Calendar 26 Jan. 1992: 4-5+.

Myers, Terry R. “Mike Kelley.” Tema Celeste (Fall 1992): 98-99.

N., A. “Kuschelcore: Künstler Mike Kelley.” What’s That Noise 12 (1992): 29-31.

Nesbitt, Lois. “Art’s Bad Boys.” Elle (Mar. 1992): 130.

Plagens, Peter. “Welcome to Manson High.” Newsweek 2 Mar. 1992: 65-66.

Relyea, Lane. “Wild Kingdom.” Parkett 31 (1992): 82-85.

_______. “Politically Correct/Incorrect: On Graduates and Dropouts.” Artspace (July-Aug. 1992): 28-30.

Rugoff, Ralph. “MOCA’s Helter Skelter and the Art of Our Times Apocalypse Noir.” L.A. Weekly (31 Jan.-6 Feb. 1992): 18-20+.

Segal, Lewis. “Troupe Drums up Rock’s Barest Essence.” Rev. of “Beat of the Traps.” Los Angeles Times (1 July 1992): F11.

Steiner, Bettina. “Vereinzelung für Auge und Ohr.” Rev. of “Beat of the Traps.” Die Presse (5 June 1992): 17.

Sutton, Fiona Byrne. “Cologne Galleries and Art Fair.” Alba (Dec.-Jan. 1992): 27.

Trenkler, Thomas. “Perverses Holterdiepolter.” Wirtschaftswoche 17 (April 1992): 68-70.

_______. “Ganz Schon LAX.” Wirtschafts Woche 45 (Nov. 1992): 78-79.

Whitington, G. Luther. “L.A.’s New Look.” Art & Auction (Jan. 1992): 82-85.

Ed. “Mike Kelley Solo Exhibition.” Wolgan Misool Monthly Art Magazine 11 (Nov. 1992): 104-108.

Ed. “Die Aufstieger: Capital Kunstkompass 1992.” Capital 11 1992: 144-146.



Alden, Todd, and Terry R. Myers. “Total Metal.” Arts Magazine (Feb. 1991): 80.

Bass, Ruth. “Carroll Dunham, Mike Kelley, Cindy Sherman.” Art News (May 1991): 151-152.

Britton, Donald. “Mike Kelley.” Art Issues (Dec. 1990-Jan. 1991): 37.

Fehlau, Fred. “Mike Kelley.” Flash Art (Jan.-Feb. 1991): 136.

_______. “Presenting Rearwards.” Flash Art (Nov.-Dec. 1991): 164.

Kandel, Susan. “Heart in Mouth.” Arts Magazine (Feb. 1991): 109.

Kimmelman, Michael. “Mike Kelley’s Toys Play Nasty Games.” New York Times 7 Apr. 1991: 33.

_______. “At the Whitney, a Biennial That’s Eager to Please.” New York Times 19 Apr. 1991: C1+.

_______. “At Carnegie 1991, Sincerity Edges Out Irony.” New York Times 27 Oct. 1991: 31+.

Knight, Christopher. “Slouching Toward the Present.” Los Angeles Times Calendar 11 Aug. 1991: 8, 79, 86.

_______. “Carnegie International Strikes a One-Note Theme.” Los Angeles Times 26 Oct. 1991: F18.

Kuoni, Carin. “Der halbe Mensch.” Nueue Zurcher Zeitlung 30 Apr 1991: np

Larson, Kay. “A Shock To The System.” New York Magazine 29 Apr. 1991: 86-87.

_______. “Whitney Biennial.” Galeries Magazine (June-July 1991): 68-71.

Lewis, James. “Beyond Redemption.” Artforum (Summer 1991): 71-75.

_______. “Home Boys.” Artforum (Oct. 1991): 101-105.

_______. “Total Metal.” Art Issues 17 (Apr.-May 1991): 14.

McEvilley, Thomas. “New York: The Whitney Biennial.” Artforum (Summer 1991): 98-101.

Morgan, Susan. “Mike Kelley: Wild West artist.” Mirabella (July 1991): 17.

Perl, Jed. “Stuffed.” The New Criterion June 1991: 45-47.

Richard, Paul. “Toys Not for Tots.” The Washington Post 28 Feb 1991: np.

Rollig, Stella. “Ich Verkunde Nür Falschheiten.” Kunstpresse 6 (Dec. 1991): 34-35.

Rugoff, Ralph. “Missing Persons: The Desecration of the Body.” L.A. Weekly 2-8 Aug. 1991: 37.

Schulz, Bernard. “Handwerk hat goldenen Boden.” Der Tagesspiegel 20 Apr. 1991.

Viegener, Matias. “Heart in Mouth.” Art Issues 16 (Feb.-Mar. 1991): 29.

Ed. “Mike Kelley.” The Print Collector’s Newsletter (Jan.-Feb. 1991).

Ed. “Conceptual Realities.” B.T. Monthly Art Magazine (July 1991): 46-47.



Abrams, Harry N. “New Art.” New York: 102-103.

Anderson, Carolyn G. “Exalting the Visceral.” Artweek 22 Nov. 1990.

Artner, Alan G. “Mike Kelley.” Chicago Tribune 12 Jan. 1990: Sec. 7, 50.

Brollo, Boris. “Mike Kelley.” Juliet 50 (Dec. 1990 – Jan. 1991): 40.

Cottingham, Laura. “Mike Kelley, Metro Pictures.” Tema Celeste (July-Oct. 1990): 66.

Cameron, Dan. “Changing Priorities in American Art.” Art International (Spring 1990): 86-90.

Curtis, Cathy. “Mike Kelley.” Los Angeles Times 1 May 1990: F5.

Gutterman, Scott. “World Chronicle—New York.” Art International 12 (Fall 1990): 58.

_______. “Mike Kelley.” Art International 12 (Fall 1990).

Hartigan, Patti. “ICA Faces Rejection of Grant by NEA.” Boston Globe 22 Oct. 1990.

Hawkins, Richard. “Just Pathetic.” Art Issues (Nov. 1990): 33.

Henry, Gerrit. “Mike Kelley, Metro Pictures.” Contemporanea (Sept. 1990): 103.

Humphrey, David. “Stained, Sheets/Holy Shroud.” Arts Magazine (Dec. 1990): 58-62.

_______. “Hair Piece.” Art Issues (Feb. 1990): 17-20.

Jones, Nancy. “Anxieux objects made in the USA.” Artstudio (Winter 1990): 116-25.

Kandel, Susan. “L.A. in Review: Just Pathetic.” Arts Magazine (Nov. 1990): 126.

Kent, Sarah. “Jessica Diamond, Mike Kelley.” Time Out (New York) 25 Apr.-2 May 1990.

Koether, Jutta. “C-Culture and B-Culture.” Parkett 24 (1990): 97-106.

Kornblau, Gary. “Mike Kelley.” Art Issues (Mar.-Apr. 1990): 24-25.

Knight, Christopher. “Disheveled Dolls Center of Mike Kelley’s Show.” Los Angeles Times 10 Oct. 1990: F4.

_______. “The Pathetic Aesthetic: Making Do with What Is.” Los Angeles Times 14 Aug. 1990: F8.

Knight, Christopher “Is L.A. a World-Class Art City?” Los Angeles Times Calendar 8 Apr. 1990: 7-9.

Levin, Kim. “Dogs and Babies.” The Village Voice May 1990: 98.

Lillington, David. “Mike Kelley en Jessica Diamond.” Metropolis M. (Summer 1990).

Mahoney, Robert. “New York in Review: Mike Kelley.” Arts Magazine (Sept. 1990): 100.

Markus, Liz. “Mike Kelley, Metro Pictures.” Sculpture (July-Aug. 1990): 60.

Nesbitt, Lois E. “Not a Pretty Sight.” Artscribe (Sept.-Oct. 1990): 64-67.

Parachini, Allan. “NEA Won’t Fund Boston Show of L.A. Artist.” Los Angeles Times 23 Oct. 1990: F1-7.

Rimanelli, David. “Mike Kelley.” Artforum (Sept. 1990): 151.

Rugoff, Ralph. “Body Doubles.” L.A. Weekly 7-13 Dec. 1990: 36.

Rugoff, Ralph. “Cabbage Patch Culture.” L.A. Weekly 2-8 Oct. 1990: 39-40.

Schjeldahl, Peter. “The New Low.” The Village Voice 13 Nov. 1990.

Smith, Richard. “Updating the Sublime.” Visions (Summer 1990): 12-17.

Smith, Roberta. “Mike Kelley.” New York Times 20 Apr. 1990: C1, C28.

Spector, Buzz. “Stained Sheets/Holy Shroud.” Art Issues (Sept.-Oct. 1990): 37.

Tager, Alisa. “Mike Kelley.” Lapiz 71 (Oct. 1990).

Taylor, Paul. “Mike Kelley: Toying with Second-Hand Souvenirs.” Flash Art 23 (Oct. 1990): 141-143.

White, Garrett. “Lost & Found.” Buzz (Oct.-Nov. 1990): 85-87.

Woods, Lynn Andreoli. “Gut Feeling: Ominous Overtones for Heart in Mouth.” Los Angeles Reader 2 Nov. 1990.

Ed. “A Chronology of Actions, Protests, Lawsuits, Trials, Censorship and the NEA.” High Performance (Winter 1990): 35.

Ed. “Frohnmayer Rejects Grant for Boston Show.” New York Times (Oct. 23 1990): C16.

Ed. “Mike Kelley.” The New Yorker 30 Apr. 1990: 13.



Adams, Brooks. “Into the Words: Thoughts on ‘A Forest of Signs.’” Visions (Winter 1989).

Anderson, Michael. “Mike Kelley at Rosamund Felsen.” Art Issues (Summer 1989): 23.

Avgikos, Jan. “The Binational, ICA Boston.” Artscribe (Summer 1989): 83-84.

Baker, Kenneth. “Signs of the Modern Morass.” San Francisco Chronicle 9 July 1989.

Benway, Mrs. “Mike Kelley.” Spex (Mar. 1989): 81.

Caley, Shaun. “Spotlight: A Forest of Signs.” Flash Art (Nov.-Dec. 1989): 134.

Cameron, Dan. “Pop ‘n’ Rock.” Art Issues 7 (Nov. 1989): 9-17.

Clothier, Peter. “L.A.: Outward Bound.” Art News (Dec. 1989).

Deichter, David. “1989 Biennial, Whitney Museum of American Art.” Artforum (Sept. 1989): 143-144.

Drohojowska, Hunter. “The 80’s: Stop Making Sense.” Artnews (Oct. 1989): 146-151.

_______. “Contemporary Art’s Crisis of Representation.” The Journal of Art (Sept.-Oct. 1989): 15-16.

Geer, Suvan. “Mike Kelley.” Los Angeles Times 24 Mar. 1989: Sec. VI, 15.

Gilbert-Rolfe, Jeremy. “The Price of Goodness.” Artscribe (Nov.-Dec. 1989): 48-53.

Graw, Isabelle. “The American Binational.” Flash Art (Jan.-Feb. 1989): 108-109.

Heartney, Eleanor. “Who’s Afraid of the Whitney Biennial?” Art News (Summer 1989): 171.

Hess, Elizabeth. “The Whitney Biennial Coming up Empty.” The Village Voice 9 May 1989: 90-92.

Holland, Cotter. “A Bland Biennial.” Art in America (Sept. 1989): 81-87.

James, David E. “Signs Taken For Wonders.” Art Issues (Los Angeles) (Sept.-Oct. 1989): 18-20.

Kandel, Susan. “Pick of the Week.” L.A. Weekly 21-27 Apr. 1989: 122.

Knight, Christopher. “Kelley Gives Cultural Values a Trashing.” Los Angeles Herald Examiner 24 Mar. 1989: 4.

_______. “Temporary Points Way with ‘Signs.’” Los Angeles Herald Examiner 21 May 1989: E1-2.

_______. “L.A. Lately.” Elle (Dec. 1989): 190-92.

Kramer, Hilton. “The Whitney’s ’89 Biennial Exhibit: Bourse of Marketing Reputations.” New York Observer 15 May 1989: 1+..

Larson, Kay. “The Children’s Hour.” New York 8 May 1989: 94-95.

Marshall, Lisa Phillips. “The Artist as Model Sufferer.” Parkett 18 (1989): 151.

McKenna, Kristine. “In the Footsteps of Warhol.” Los Angeles Times Calendar 7 May 1989: 90-92.

Messler, Norbert. “Mike Kelley.” Artforum (Summer 1989): 156.

Ollman, Leah. “San Diego Artists Respond to Political Challenge.” Los Angeles Times (San Diego Edition), 7 Sept. 1989: Sec.VI, 4.

Plagens, Peter. “Under Western Eyes.” Art in America (Jan. 1989): 33-39.

Rugoff, Ralph. “Liberal Arts.” Vogue (Aug. 1989): 328-333.

Schjeldahl, Peter. “The Muses on Strike.” 7 Days 17 May 1989: 67.

Smith, Roberta. “Art That Hails from the Land of Deja Vu.” New York Times 4 June 1989: 1+.

_______. “The Whitney Biennial: A Show of Democracy.” New York Times 28 Apr. 1989: B1+.

Wilson, William. “Comments on Our Life and Times: Polite Agit-Pop in A Forest of Signs.” Los Angeles Times Calendar 7 May 1989: 6-7+.

Woodward, Richard B. “For Art Coastal Convergences.” New York Times 16 July 1989: C1+.

_______. “Comics as Inspiration: Are We having Fun Yet?” New York Times 23 Apr. 1989.

Ed., “University Art Museum: December at the UAM and PFA,” Rev. of Mike Kelley: Post Renaissance Man. University at California Berkeley, December 1989.



Artner, Alan G. “The Element of Truth in Our Cultural Kitsch.” Chicago Tribune 5 June 1988: B14.

Aziz, Anthony. “MIT List Visual Arts Center/Cambridge; L.A. Hot and Cool: The Eighties.” Art New England (Mar. 1988).

Baker, Kenneth. “L.A. Strikes Again.” San Francisco Chronicle 23 Apr. 1988.

Benway, Mrs. “Mike Kelley.” Spex (Nov. 1988): 75.

Bonnetti, David. “Welcome to L.A.—Art that Blows Hot and Cool.” Boston Phoenix 15 Jan. 1988.

Drohojowska, Hunter. “The Artists who Matter, L.A.’s New Scene Makes History,” Antiques & Fine Arts 1988: 49-52.

Dubin, Zan. “The Wit and Wetness of Mike Kelley.” Los Angeles Times Calendar 22 May 1988: 96.

Fehlau, Fred. “Mike Kelley at Rosemund Felsen.” Flash Art (Mar.-Apr. 1988): 115-16.

Glatt, Cara. “Works Draw Inspiration from Fine ‘Low’ Images.” Chicago Herald 11 May 1988.

Heartney, Eleanor. “Mike Kelley, Metro Pictures.” Artnews (Nov. 1988): 174-75.

Hixson, Kathryn. “Mike Kelley.” Arts Magazine (Nov. 1988): 97.

Howell, John. “Prankster Painter.” Elle (Sept. 1988): 232.

Jalon, Allan. “‘Skeptical Belief(s)’ Exhibit Displays Varied Style of CalArts Graduates.” Los Angeles Times Calendar (Orange County Edition) 24 Jan. 1988.

Larson, Kay. “Mike Kelley.” New York Magazine 3 Oct. 1988: 71+.

Leigh, Christian. “L.A. Hot and Cool—The Eighties.” Artforum (Apr. 1988): 150-151.

Miner, Michael. “Outlaw Art.” Chicago Reader 27 May 1988.

Palmer, Laurie. “Mike Kelley: Renaissance Society.” Artforum (Sept. 1988): 146-147.

Raczka, Robert. “MOCA Sights Local Art in Striking Distance.” New Art Examiner (June 1988): 39-40.

_______. “Mike Kelley.” New Art Examiner (Feb. 1988): 66.

Rubenstein Meyer, Raphael. “New York Scene.” ETC. (Montreal) (Winter 1988): 65.

Rugoff, Ralph. “Talking Head: Playing Dumb.” L.A. Weekly 10-16 June 1988: 20.

_______. “Mike Kelley at Rosemund Felsen Gallery.” Artscribe (May 1988): 83-84.

Schjeldahl, Peter. “New Blue Collar.” 7 Days 5 Oct. 1988: 59.

Small, Michael, and Jacqueline Savaino. “Thanks to Medicis like Norton Simon and Armand Hammer, a Gilded Dilly of an Art Scene Flowers in L.A.” People 28 Mar. 1988: 86-93.

Smith, Roberta. “Mike Kelley.” New York Times 23 Sept. 1988: C28.

_______. “80’s Art with a Passport to Germany.” New York Times 23 Oct. 1988.

Taylor, Robert. “L.A. Hot and Cool’—A Rewarding Exhibit.” The Boston Globe 17 Jan. 1988.

Weissman, Benjamin. “Report On A Gothic Entity/‘I Allegorically Deny That’/Secret Tales of Mike Kelley in Ten Easy Steps.” Visions (Winter 1988).

Wilson, William. “Prize Winners That Look to a Losing Future.” Los Angeles Times Calendar 5 June 1988.

Ed., “88 for 1988.” Los Angeles Times Magazine 4.1 (10 January 1988).



Drohojowska, Hunter. “The Artists Who Matter: L.A.’s New Scene Makes History.” Antiques and Fine Art (June 1987): 50.

Gipe, Lawrence. “Chris Burden and Mike Kelley.” Artscene 6.7 (Mar. 1987).

Howell, John. “Mike Kelley, Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile.” Artforum (May 1987): 151-2.

Jones, Ronald. “Mike Kelley, Metro Pictures.” Flash Art (Feb.-Mar. 1987): 106-107.

Knight, Christopher. “Mike Kelley.” Los Angeles Herald Examiner 15 Feb. 1987.

_______. “‘Half a Man’ is Wholly Compelling.” Los Angeles Herald Examiner 13 Dec. 1987: E1-9.

Lawson, Thomas. “Reheating the Avant-Garde.” L.A. Weekly 15-27 May 1987: 30-31+.

Leonhart, Mark Michael. “‘Head Sex’: An Orgy of Comprehension.” Windy City Times 23 July 1987.

Muchnic, Suzanne. “Mike Kelley.” Los Angeles Times 27 Mar. 1987.

Nash, Michael. “Video Poetics: A Contemporary Survey.” High Performance 37 (1987): 69.

O’Dell Kathy. “Mike Kelley at Artists Space.” Art in America (May 1987): 184.

Rugoff, Ralph. “Pick of the Week.” L.A. Weekly 24-30 July 1987.

_______. “Pick of the Week.” L.A. Weekly 11-17 Dec. 1987.

_______. “Freudian Prankster.” L.A. Weekly 20-26 Feb. 1987.

Zeichner, A. “Good Times: Event Picks of the Week.” L.A. Weekly 13-19 Feb. 1987.



Cameron, Dan. “Mike Kelley’s Art of Violation.” Arts Magazine (June 1986): 4-17.

McGuigan, Cathleen, and Janet Huck. “Picasso in Lala Land.” Newsweek 24 Nov. 1986: 86-88.

Richard, Paul. “The New Lay of Landscape.” The Washington Post 11 Jan. 1986: G9.

Vangelisti, Paul. “Flawed Polemics.” Artweek 17.25 (July 1986): 7.



Cameron, Dan. “A Whitney Wonderland.” Arts Magazine (Summer 1985): 66-69.

Gardner, Colin. “Mike Kelley.” Los Angeles Times 13 Sept. 1985.

_______. “Exorcising Philosophical Demons.” Artweek 28 Sept. 1985: 1.

Gordon, Kim. “American Prayers.” Artforum (Apr. 1985): 73-77.

Knight, Christopher. “LAICA ‘B/W’ is a Superb Exhibition of Drawings.” Los Angeles Herald Examiner 7 July 1985.

_______. “Season-Opening Shows May Presage Great Art Year.” Los Angeles Herald Examiner 6 Oct. 1985: E8.

Levin, Kim. “Cryptanalysis.” The Village Voice 18 June 1985.

Muchnic, Suzanne. “Art Survey Goes Beyond the Mere Black and White.” Los Angeles Times 5 July 1985.

Pincus, Robert L. “Two Give Pop Art a New Twist.” San Diego Union 6 Oct. 1985: E1-E8.

Relyea, Lane. “Pick of the Week.” L.A. Weekly 20-26 Sept. 1985.

Rico, Diana. “Jacks o’ all lanterns.” Daily News (Oct. 1985): 1985.

Rugoff, Ralph. “High Art Meets Low Culture.” L.A. Style (Oct. 1985): 23-24.

Wortz, Melinda. “Mike Kelley at Rosemund Felsen Gallery.” Artforum (Dec. 1985): 94-95.



Adams, Brooks. “Mike Kelley at Metro Pictures.” Art in America (Oct. 1984): 196-7.

Bankowsky, Jack. “Summer Show at Metro Pictures.” East Village Eye (Sept. 1984): 50.

_______. “Mark Kostabi and Mike Kelley.” New York Native 17 Dec. 1984: 53.

Burkhart, Kathe. “Nuclear Cheesecake.” High Performance 28 (1984): 68-69.

Drohojowska, Hunter. “First Newport Biennial, 1984: Los Angeles Today.” L.A. Weekly 26 Oct.-1 Nov. 1984.

Drohojowska, Hunter. “Artists the Critics are Watching.” Art News (Nov. 1984): 90-92.

_______. “Godzilla Returns in Multimedia Theater.” Los Angeles Herald Examiner 2 Nov. 1984: 36.

_______. “Mike Kelley at the Rosamund Felsen Gallery.” L.A. Weekly 20-26 Apr. 1984.

Gardner, Colin. “Newport Harbor Biennial—The Today Show.” Los Angeles Reader 16 Nov. 1984.

_______. “From the Ridiculous to the Sublime.” Los Angeles Reader 23 Mar. 1984.

Handy, Ellen. “Mike Kelley.” Arts Magazine (Apr. 1984): 41.

Howell, John. “Mike Kelley.” New York Beat (Feb.-Mar. 1984).

Knight, Christopher. “Artist Mike Kelley Redefines ‘Sublime’.” Los Angeles Herald Examiner 8 Apr. 1984: E2.

_______. “It’s Art, Plain and Simple, at Newport.” Los Angeles Herald Examiner 28 Oct. 1984.

Lasarow, Bill. “Michael Kelley.” Artscene (Apr. 1984).

Muchnic, Suzanne. “Mike Kelley.” Los Angeles Times 30 Mar. 1984.

Norklun, Kathi. “Performance Archeology.” Artweek 14 Apr. 1984.

_______. “The Flow of Belief: Can Art Replace Wrong-Headed Thinking?” High Performance 26 (1984): 36-37.

Pate, Pattie. “Eight Idiosyncrasies.” Artweek 3 Mar. 1984.

Pincus, Robert L. “Sublime Antics Create a Deflating Experience.” Los Angeles Times 17 Mar. 1984.

Wilson, William. “It’s Neo-Ex Trick or Treat at Newport.” Los Angeles Times Calendar 14 Oct. 1984.



Gardner, Colin. “Out of the Frog.” Artweek 12 Mar. 1983: 13.

Howell, John. “Art Takes 1: Mike Kelley.” New York Beat (Mar. 1983).

Knight, Christopher. “Mike Kelley Turns Confusion into Art.” Los Angeles Herald Examiner 27 Mar. 1983: E4.

Levin, Kim. “An Opinionated Survey of the Week’s Events: Art.” The Village Voice 15-21 Feb. 1983.

Norklun, Kathi. “Pick of the Week.” L.A. Weekly 25-31 Mar. 1983.

Pincus, Robert L. “The Art, Analysis of ‘Monkey Island.” Los Angeles Times 4 Mar. 1983.

_______. “Mike Kelley.” Los Angeles Times 25 Mar. 1983.

_______. “Michael Kelley at Beyond Baroque and Rosamund Felsen.” Art in America (Sept. 1983): 181.

Schillaci, Daniel. “Inquiring into the Mystery of Perception.” Cal Arts Today (Sept. 1983): 10-11.



Eisenman, Stephan F. “Mike Kelley.” Arts Magazine (Nov. 1982): 57.

Hawley, David. “Stage Series Off to Confusing Start.” St. Paul Dispatch 15 Apr. 1982: 14B.

Owens, Craig. “Back to the Studio.” Art in America (Jan. 1982).

Princenthal, Nancy. “Gallery Installations: Performance in Place.” Alive Magazine (Nov.-Dec. 1982): 44-45.



Ames, Richard. “Shows reflect contemporary scene.” Arts/artists 4 Apr. 1981 : C-16.

Ballatore, Sandy. “High Points, Low Points, No Points.” Images & Issues (Feb. 1981).

Hertz, Richard. “L.A. Flesh Art.” High Performance (Feb. 1981).

Knight, Christopher. “A Meeting of Media.” Los Angeles Herald Examiner, California Living Magazine 22 Nov. 1981.

Pincus, Robert L. “Mike Kelley.” Los Angeles Times 16 June 1981.

Rickey, Carrie. “Art Attack.” Art in America (May 1981): 41-48.

Singerman, Howard. “The Artist as Adolescent.” Real Life (Summer 1981): 78.

_______. “Michael Kelley: Reflections on a Can of Vernors.” Artforum (Dec. 1981).

Wortz, Melinda. “Time, Space and the Freeway.” Art News (Sept. 1981).



Beal, Suzy. “Mike Kelley’s Trip.” Pro-Fun Magazine (Apr. 1980): 15.

Sisco, Liz. “A Review of Mike Kelley’s Performance.” The Vis Arts Newspaper 2 16 June 1980.



Armstrong, Richard. “Michael Kelley’s Performance: A Healthful Activity?” Journal: Southern California Art Magazine 22 (Mar. 1979): 50-53.

_______. “Mike Kelley.” Artforum (Nov. 1979): 75-78.

Singerman, Howard. “Self-Expression Seventies Style.” Artweek 14 July 1979: 3.